Women’s Writing in the British Isles from the Beginnings to the Present
T. S. Eliot
-
Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE
, an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE
also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.
Yorke, Liz. Adrienne Rich: Passion, Politics, and the Body. Sage.
7
Rich enjoyed her time at Radcliffe, though...
Literary responses
Dorothy Richardson
H. G. Wells
, reviewing this work, wrote that DR
had probably carried impressionism in fiction to its furthest limit. He considered that her percepts never become concepts, and that her heroine is not a...
Allen Tate
praised the volume in the New Republic, prophesying a brilliant future for Riding. When John Gould Fletcher
in The Criterion called her poems derivative, Graves
wrote to criticise both Fletcher for being...
Theme or Topic Treated in Text
Laura Riding
Although this volume appeared later, its second chapter was the root of the concluding chapter of A Survey of Modernist Poetry. Gertrude Stein
is a test case here: T. S. Eliot
is hauled over...
Friedmann, Elizabeth. A Mannered Grace. Persea Books.
114
LR
sets out to free the poet from the restrictions imposed by the synthetic or collective notion...
Intertextuality and Influence
Laura Riding
Reviews were good in the main. Not only did LR
's friend and associate Jacob Bronowski
assert in Granta that that the poems state the truth with a clarity which is transparent and literal,
Friedmann, Elizabeth. A Mannered Grace. Persea Books.
217
Intertextuality and Influence
Anne Ridler
AR
wrote that the two great influences on her as a poet (because they helped her to find her own voice) were Sir Thomas Wyatt
and W. H. Auden
. Eliot
, too, was inescapable...
Literary responses
Anne Ridler
When Anne Bradby (later AR
) plucked up courage to show some early poems to T. S. Eliot
(though not requesting publication by Faber and Faber
), she was encouraged by his advice: I should...
Textual Features
Anne Ridler
Her introduction to the first selection, she said later, was more influenced by Coleridge
than by Charles Williams
.
Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
96
It was an important feature of the volume, ranging itself alongside such prestigious Shakespeare critics...
Material Conditions of Writing
Anne Ridler
Ambiguity in English Verse Rhythms in this volume was the only result of a projected book on metrics which T. S. Eliot
had suggested, and which AR
had worked on during the second world war...
Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
141
Publishing
Anne Ridler
AR
's first volume published with Faber & Faber
benefited from the patronage of her former bosses there. T. S. Eliot
recommended its publication,
Ridler, Anne. “Working for T.S. Eliot: A Personal Reminiscence”. Poetry Review, Vol.
73
, No. 1, pp. 46-9.
49
and the first edition appeared on expensive hand-made paper, which...
Publishing
Anne Ridler
It had been commissioned by Martin Browne
, the lessee of the Mercury Theatre, who, inspired by the success of T. S. Eliot
's Murder in the Cathedral, set out to encourage poets to...
Literary responses
Anne Ridler
AR
later judged that her dialogue was pretty good but her technical capacity unequal to her ambitious theme.
Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
146
The play was well received on opening night and throughout its run; Eliot
was enthusiastic, and...