Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray, 1911.
23
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Florence Farr | This was when she was to play Aleil. In Ave, George Moore
satirised the rehearsal process, revealing the actors' frustration about FF
's inability to remember her own stage directions and her penchant for... |
Performance of text | John Oliver Hobbes | In the same year JOH
and Moore
also collaborated on the one-act comedy Journeys End in Lovers' Meeting (titled from Shakespeare
), which was performed in June 1895 (according to her father's memoir) Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray, 1911. 23 |
Publishing | Nancy Cunard | NC
's GM: Memories of George Moore was published with illustrations. Chisholm, Anne. Nancy Cunard. Knopf, 1979. 302-3, 304 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | John Oliver Hobbes | JOH
and Moore
later quarrelled over contracts relating to their collaborations. Maison mentions one such argument in 1905, and Hobbes refers to an extraordinary scene qtd. in Maison, Margaret. John Oliver Hobbes. Eighteen Nineties Society, 1976. 64 |
Publishing | Violet Fane | Despite fears that he might call her bad names Fane, Violet. “Concerning Some of the ’Enfants Trouvés’ of Literature”. Nineteenth Century, July 1904, pp. 126-41. 139 |
Reception | Anne Brontë | AB
's work has from the outset been overshadowed by that of Emily and Charlotte. George Moore
called her a literary Cinderella, qtd. in Langland, Elizabeth. Anne Brontë: The Other One. Barnes and Noble, 1989. 29 |
Reception | Martin Ross | The formal dinner, with speeches, was attended by the Lord Lieutenant of Ireland, the twelve Irish women writers, and two hundred guests. Next day Somerville and Ross saw their photographs in the Irish Times and... |
Textual Features | George Orwell | This is one of the several pieces in which Orwell champions the middlebrow or non-art writing. His supreme example Orwell, George. The Penguin Essays of George Orwell. Penguin in association with Secker and Warburg, 1984. 326 |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Viola Meynell | VM
published Lot Barrow, a naturalistnovel in the tradition of George Moore
and Émile Zola
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002. 100, 105 |
Textual Production | Helen Waddell | |
Textual Production | Katharine Tynan | These four volumes were billed as a new edition. It bore her name, giving her credit for revising and greatly extending their contents, while the names of Charles Read
and T. P. O'Connor
remained as... |
Textual Production | John Oliver Hobbes | JOH
collaborated with George Moore
on a number of plays during her career. In 1894 they worked on The Fool's Hour, which appeared in print in the first issue of The Yellow Book (April... |
Textual Production | John Oliver Hobbes | JOH
also collaborated on The Bishop's Move (produced at the Garrick Theatre
in June 1902 and published in New York the same year) with Murray Carson
, and on an unfinished play called A Time... |
Textual Production | Nancy Cunard | When NC
attempted to write autobiography in the autumn of 1956, she felt compelled instead to write sketches of those she had known. The result was her memoirs of important men in her life, including... |
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