Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983.
148-9
Connections Sort descending | Author name | Excerpt |
---|---|---|
politics | Valentine Ackland | With Warner, Ackland was a member of publisher Victor Gollancz
's Left Book Club
. Her connection with the Left Review brought her into contact with intellectuals such as Edgell Rickword
and his wife Johnnie |
politics | Amabel Williams-Ellis | When Victor Gollancz
, John Strachey
, and Harold Laski
founded the Left Book Club
(for the distribution and discussion of radical texts on socialism, fascism, and war) AWE
was an early member. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983. 148-9 Laity, Paul, editor. Left Book Club Anthology. Victor Gollancz, 2001. prelims |
politics | Amabel Williams-Ellis | AWE
, Rose Macaulay
, Victor Gollancz
, Jonathan Cape
, and others formed the Civil Liberties Press Bureau
, to protest publicly against the banning of books and to criticise newspaper coverage of various social issues. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983. 153 |
politics | Sylvia Townsend Warner | Warner and Ackland were members of publisher Victor Gollancz
's Left Book Club
, and wrote assiduously for left-wing papers and magazines. (After the second world war, however, Ackland developed divergent and comparatively right-wing views.)... |
Publishing | Elizabeth Bowen | The novel was published by Gollancz
, which did well financially out of it. But Victor Gollancz
, who had commissioned it, apparently found Bowen intimidating. He did not refer at all to the novel... |
Publishing | Ivy Compton-Burnett | Rose Macaulay
had brought ICB
to Gollancz's notice. He was known for unconventional and forceful advertising. He sold Daughters and Sons to the US publisher W. W. Norton
, though it was far outside their... |
Publishing | Ivy Compton-Burnett | In the early 1960s ICB
had a disastrous lunch with her publisher, Victor Gollancz
. (It was only the second time she had met him in person.) She asked him to put out a collected... |
Publishing | George Orwell | |
Publishing | Daphne Du Maurier | The death of Victor Gollancz
, DDM
's publisher for more than thirty years, made a great change in her career, though she continued her association with his publishing house. Forster, Margaret. Daphne du Maurier. Chatto and Windus, 1993. 360 |
Publishing | Rumer Godden | It was begun in postwar London and finished at Arundel. Godden, Rumer. A House with Four Rooms. Macmillan, 1989. 69-70 |
Publishing | Daphne Du Maurier | DDM
left Heinemann
to publish this book with Victor Gollancz
(a successful upstart seeking to promote best-selling works, and in time a leading and respected left-wing publisher). Her agent, Curtis Brown
, urged her to... |
Publishing | Daphne Du Maurier | This was DDM
's third work for Victor Gollancz
, fulfilling her first contract with him. Forster, Margaret. Daphne du Maurier. Chatto and Windus, 1993. 133 |
Publishing | Daphne Du Maurier | She decided to publish this collection with her original publisher, Heinemann
, much to Victor Gollancz
's dismay. |
Publishing | Elizabeth Jenkins | She worked on this book during her year of exploring London after graduating from university, enthralled by the writing process more intensely than she was ever to be again. Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson, 2004. 26 |
Publishing | Theodora Benson | As Elizabeth Jenkins
told it, this began as an idea for a reportage novel illuminating the secrets of some particular métier. Jenkins hoped for something of morbid decadence reminiscent of Edgar Allan Poe
, but... |
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