D. H. Lawrence
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Standard Name: Lawrence, D. H.
Used Form: David Herbert Lawrence
DHL
published prolifically between 1909 and his death in 1930: poetry, novels, short stories, travel literature, and social comment. He was always a controversialist, fighting against the machanizing, dehumanizing, desexualizing tendencies of modern life, and was also a playwright and a painter.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Lady Ottoline Morrell | LOM
began work on her memoirs in 1919, and returned to them more seriously in 1925. Seymour, Miranda. Ottoline Morrell: Life on the Grand Scale. Farrar Straus Giroux, 1992. 316, 345 |
Textual Production | Aldous Huxley | The letters of D. H. Lawrence
, who had died two years previously, were published with AH
as editor by 29 September 1932. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press, 1996. 357 McDowall, Arthur Sydney. “Letters of D.H. Lawrence”. Times Literary Supplement, No. 1600, 29 Sept. 1932, p. 673. 673 |
Textual Production | Angela Carter | After AC
's death, in 1997, there appeared Shaking a Leg, a volume which collects her essays and journalism (including Lorenzo the Closet Queen, also titled The Naked Lawrence, the fruit of a lifelong love-hate relationship). Turner, Jenny. “A New Kind of Being”. London Review of Books, Vol. 38 , No. 21, 3 Nov. 2016, pp. 7-14. 8 |
Textual Production | Elaine Feinstein | EF
published Lady Chatterley's Confession, a witty and thought-provoking sequel to D. H. Lawrence
's Lady Chatterley's Lover. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Rosa Nouchette Carey | The title of RNC
's novel "But Men Must Work", issued this year, refers (like other titles of hers) to gender roles: it is from Charles Kingsley
's The Three Fishers: For men... |
Textual Production | Martin Ross | Martin's brother James
had already published hunting stories. Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber, 1968. 116 |
Theme or Topic Treated in Text | Rebecca West | West comments on the public reaction to Lawrence
's death, lamenting that he was not sufficently honoured by his peers. She praises his literary genius, and pronounces his life a spiritual victory. West, Rebecca. D.H. Lawrence. Martin Secker, 1930, http://UofA. 44 |
Theme or Topic Treated in Text | Q. D. Leavis | |
Theme or Topic Treated in Text | Maureen Duffy | From Methuen's first-published author, Edna Lyall
, she traces the firm's dealings with other progressive activists, with canonical names in many genres including books for children, and with such controversial figures as Ibsen
, Wilde
, and Lawrence
. Maureen Duffy: Author, poet, playwright. http://www.maureenduffy.co.uk/. |
Theme or Topic Treated in Text | W. H. Auden | It is no wonder than that Auden is an entertaining critic, with a penchant for the gnomic whether in titles (his essay on detective stories is called The Guilty Vicarage; his essay on Kafka |
Theme or Topic Treated in Text | Virginia Woolf | Character in Fiction, the further essay which emerged from Mr. Bennett and Mrs. Brown, is reflective, philosophical, fictional, its tone assertive, witty, ironical, and serious. It ranges Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press, 1986–2011, 6 vols. 3: 421 |
Theme or Topic Treated in Text | Simone de Beauvoir | |
Theme or Topic Treated in Text | Amabel Williams-Ellis | Williams-Ellis divided her text into five sections according to audience, respectively written For All, For Philosophers, For Missionaries, For Critics, and For Readers. The last section consists of short studies... |
Theme or Topic Treated in Text | Dorothy Brett | She now described two unsuccessful sexual encounters with Lawrence
, after he told her that any relationship must include a sexual relationship. So there we lay. I felt desperate; all the love I had for... |
Theme or Topic Treated in Text | Sybille Bedford | This volume makes its strong impression through the juxtaposition of the pleasures of food, wine, movement, and places with the horrors of human violence and cruelty and the well-meant but often in practice grotesque or... |
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