Carswell, John, and Catherine Carswell. “Introduction”. Open the Door!, Virago, p. v - xvii.
xii
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Catherine Carswell | On a brief visit to Tregerthen near Zennor in Cornwall with D. H. Lawrence and his wife
, CC
worked closely with Lawrence
on their respective novel manuscripts. Carswell, John, and Catherine Carswell. “Introduction”. Open the Door!, Virago, p. v - xvii. xii Carswell, Catherine. The Savage Pilgrimage: A Narrative of D. H. Lawrence. Cambridge University Press. 59, 76-8 |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Ethel Mannin | EM
is critical also of palaces of commerce Mannin, Ethel. All Experience. Jarrolds. 66 Mannin, Ethel. All Experience. Jarrolds. 66 |
Intertextuality and Influence | Stella Gibbons | Such earthy regionalists—who include Thomas Hardy
and D. H. Lawrence
, as well as Webb
and Kaye-Smith
—become the butt of SG
's satire in Cold Comfort Farm. Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury. 66, 112 |
Intertextuality and Influence | Ali Smith | As a tribute to institutions of shared literacy and collective engagement, many of the stories here involve reading within and through the public sphere. Two are dedicated to the friendship between D. H. Lawrence
and... |
Intertextuality and Influence | Anna Wickham | Some of the most interesting poems first published in this collection are the playful or satirical responses to other writers. To Men answers a poem of the same title by Ella Wheeler Wilcox
, whose... |
Intertextuality and Influence | George Egerton | |
Intertextuality and Influence | Jane Ellen Harrison | JEH
's work exerted a palpable influence on the Modernist movement in literature, and both her persona and her life's work were represented, sometimes in much modified form, in many creative texts. Critic Julia Briggs |
Intertextuality and Influence | Philip Larkin | His youthful letters to Sutton are clotted with obscenities in a schoolboy manner, boring and embarrassing to a later generation: My tooth still aches. Balls & anus! I feel shat upon. Brennan, Maeve. The Philip Larkin I Knew. Manchester University Press. 5 |
Intertextuality and Influence | Agatha Christie | Around 1910, recovering from influenza, AC
wrote an occult story about dreams and delirium entitled The House of Beauty; it was influenced by the work of D. H. Lawrence
. She sent the story... |
Intertextuality and Influence | Mary Augusta Ward | Esther Smith
argues that D. H. Lawrence
radically recast this novel in Lady Chatterley's Lover, 1928. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 18 |
Intertextuality and Influence | Ann Quin | In her short autobiographical article Leaving School—XI, AQ
mentions having been writing stories since the age of seven to entertain myself. Quin, Ann. “Leaving School—XI”. London Magazine, Vol. new series 6 , pp. 63-8. 64 |
Literary responses | Amber Reeves | After the appearance of her first three novels, two critics gave AR
a significant place in accounts of the current state of fiction. R. Brimley Johnson
characterised her as a sex-explorer, free from either... |
Literary responses | Viola Meynell | D. H. Lawrence
, when he saw the first chapter of this book, said it was better than anything [VM
had] done. MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen. 150 |
Literary responses | Dorothy Richardson | The first reviewer, in the Sunday Observer, found DR
's narrative strategy extraordinary, but remarkably clear. He noted that her leaving the reader without explanations or apologies was not in the least troubling or... |
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