D. H. Lawrence
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Standard Name: Lawrence, D. H.
Used Form: David Herbert Lawrence
DHL
published prolifically between 1909 and his death in 1930: poetry, novels, short stories, travel literature, and social comment. He was always a controversialist, fighting against the machanizing, dehumanizing, desexualizing tendencies of modern life, and was also a playwright and a painter.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Augusta Ward | Esther Smith
argues that D. H. Lawrence
radically recast this novel in Lady Chatterley's Lover, 1928. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 18 |
Intertextuality and Influence | Catherine Carswell | On a brief visit to Tregerthen near Zennor in Cornwall with D. H. Lawrence and his wife
, CC
worked closely with Lawrence
on their respective novel manuscripts. Carswell, John, and Catherine Carswell. “Introduction”. Open the Door!, Virago, 1986, p. v - xvii. xii Carswell, Catherine. The Savage Pilgrimage: A Narrative of D. H. Lawrence. Cambridge University Press, 1981. 59, 76-8 |
Intertextuality and Influence | Mary Renault | Homosexuals in British fiction had been portrayed mostly as sick, funny, or both since the Oscar Wilde
trials (1895). E. M. Forster
had kept his Maurice unpublished. Radclyffe Hall
had run into trouble. Virginia Woolf |
Intertextuality and Influence | Bessie Head | The title in fact echoes that of her first novel, since in Setswana it means clouds, weather, or the elements. Eilenberg believes that roots of this story lie in BH
's erotic involvement, during her... |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Ann Quin | In her short autobiographical article Leaving School—XI, AQ
mentions having been writing stories since the age of seven to entertain myself. Quin, Ann. “Leaving School—XI”. London Magazine, Vol. new series 6 , July 1966, pp. 63-8. 64 |
Intertextuality and Influence | Ethel Mannin | EM
is critical also of palaces of commerce Mannin, Ethel. All Experience. Jarrolds, 1937. 66 Mannin, Ethel. All Experience. Jarrolds, 1937. 66 |
Intertextuality and Influence | George Egerton | |
Intertextuality and Influence | Ali Smith | As a tribute to institutions of shared literacy and collective engagement, many of the stories here involve reading within and through the public sphere. Two are dedicated to the friendship between D. H. Lawrence
and... |
Intertextuality and Influence | Stella Gibbons | Such earthy regionalists—who include Thomas Hardy
and D. H. Lawrence
, as well as Webb
and Kaye-Smith
—become the butt of SG
's satire in Cold Comfort Farm. Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury, 1998. 66, 112 |
Intertextuality and Influence | Agatha Christie | Around 1910, recovering from influenza, AC
wrote an occult story about dreams and delirium entitled The House of Beauty; it was influenced by the work of D. H. Lawrence
. She sent the story... |
Literary responses | Ethel M. Dell | The implications of homosexual paedophilia (whose existence Dell was almost certainly unaware of) caused merriment rather than scandal. Rebecca West
published in the New Statesman a few years later an article entitled The Posh Horse... |
Literary responses | Dorothy Richardson | The first reviewer, in the Sunday Observer, found DR
's narrative strategy extraordinary, but remarkably clear. He noted that her leaving the reader without explanations or apologies was not in the least troubling or... |
Literary responses | Dorothy Richardson | Some of Richardson's readers considered that she, like Joyce
, focused more than necessary on the seamier details of life. Reviewers were not altogether impressed by this novel. Reviewing Richardson again in the Athenæum in... |
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