Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983.
34
Connections Sort descending | Author name | Excerpt |
---|---|---|
Leisure and Society | Amabel Williams-Ellis | AWE
made her formal entry into society as a debutante, a change of status . . . important then for the young females of our sub-tribe. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson, 1983. 34 |
Leisure and Society | Rosamond Lehmann | Stephen Spender
thought RLone of the most beautiful women of her generation. qtd. in Lehmann, Rosamond. Rosamond Lehmann’s Album. Chatto and Windus, 1985. 51 |
Leisure and Society | Dorothy Wellesley | She had the dining room at Penns decorated by Vanessa Bell
and Duncan Grant
. They did three big wall panels each, plus designing furniture. The work was finished in 1931. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols. 4: 156 |
Leisure and Society | Leonora Carrington | As she had in Paris, LC
produced new writing and visual art. She and Ernst also decorated walls, cupboard doors, and other spaces with paintings, carvings, and sculptures that produced a singular aesthetic for their... |
Leisure and Society | Iris Tree | IT
was a natural bohemian. She smoked, and was one of the first girls to bob her hair (in 1913, cutting off her long plait on a train and leaving it behind on the seat)... |
Literary responses | Virginia Woolf | VW
waited more than a week for comment of any kind on this publication, and was driven to dismiss her own disappointment as something she had now put behind her, writing the book off as... |
Literary responses | Virginia Woolf | Ethel Smyth
sent her responses to this book by telegram on publication day: Book astounding so far. Agitatingly increases value of life. Two days later she sent: Final paragraph almost smashes machine of life with... |
Material Conditions of Writing | Viola Tree | Virginia Woolf
found that the production of this book required a lot of work in the closing stages from her as publisher. She received the (apparently corrected) proofs by 2 March in a state calculated... |
Occupation | Nina Hamnett | NH
recounts how, feeling brave one morning, she entered the post-impressionist Omega Workshops
, and asked to see Mr. [Roger] Fry. This charming man with grey hair told her, on her request for work... |
Occupation | Roger Fry | After returning from New York, RF
met Vanessa
and Clive Bell
on a train from Cambridge to London, and arranged for Clive's assistance with the upcoming Post-Impressionist exhibition at the Grafton Gallery
. Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995. 95 |
Occupation | Virginia Woolf | VW
was especially pleased with her new ability to publish her own texts. She later observed: I'm the only woman in England free to write what I like. qtd. in Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 374-5, 818 |
Occupation | Roger Fry | At 33 Fitzroy Square in Bloomsbury, London, founder RF
opened the Omega Workshops
, an artists' group whose participants included Wyndham Lewis
, Vanessa Bell
and Duncan Grant
(both co-directors), and Dora Carrington
. Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995. 195 |
Occupation | Virginia Woolf | |
Performance of text | Virginia Woolf | VW
's nonsense comedy, Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 86 Bell, Quentin. Virginia Woolf: A Biography. Hogarth Press, 1972, 2 vols. 2: 246 |
politics | Virginia Woolf | The event was organized in part by Pippa Strachey
; other guests included Vanessa Bell
, Cicely Hamilton
, Laura Knight
, Vita Sackville-West
and Harold Nicolson
, and T. S. Eliot
. Here Woolf... |
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