O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
139
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Susannah Dobson | This work abounds in quotations from Lydgate
, Spenser
, Sainte-Palaye
, William Hayley
, and others. It cites the Roman historian Tacitus
in confirmation that the chivalric system was originally Germanic. O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press. 139 |
Intertextuality and Influence | Frances Isabella Duberly | FID
turns frequently in her journal to literary quotation. She often quotes from poets whose popularity has waned, but she also calls on Longfellow
, Duberly, Frances Isabella. Mrs Duberly’s War. Journals and Letters from the Crimea, 1854-6. Editor Kelly, Christine, Oxford University Press. 216 |
Family and Intimate relationships | Queen Elizabeth I | In the minds of the country's ruling class, a marriage for the queen was also necessary. Some have supposed that at this stage Elizabeth may have hoped to marry one day, although she herself publicly... |
Intertextuality and Influence | Anne Grant | |
Education | Dora Greenwell | Thereafter, she taught herself, studying philosophy, Latin, German, Italian, French, political economy, and theology. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 199 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Dorling, William. Memoirs of Dora Greenwell. James Clarke. 73 |
Textual Features | Jane Harvey | The contents include descriptive and melancholy sonnets, satire, autobiography, and politics (including a poem on the horrors of slavery, addressed to William Wilberforce
, and another about the sorrow of a woman whose lover has... |
Textual Features | Seamus Heaney | In a twenty-page introduction, SH
explains what this poem meant for him. He discusses its diction, and the way that fragments of its language have survived, embedded in, for instance, the speech of Heaney's own... |
Publishing | Barbara Hofland | James Montgomery
, editor of the Sheffield paper the Iris, helped with encouragement and advertising. He printed the poetry volume at the Iris office in Sheffield, with a ruined-abbey frontispiece and a title-page... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes from Spenser
, and the first chapter from Johnson
's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference... |
Occupation | Elizabeth Isham | Her needlework included doing Irish stitch, tent stitch, and purse-work, making bone lace and bodices, and knitting stockings, and she often gathered flowers in order to copy them in stitching. Isham, Elizabeth. “Diary”. Constructing Elizabeth Isham. 1636 Isham, Elizabeth. “Booke of Rememberances”. Constructing Elizabeth Isham, edited by Elizabeth Clarke. 26r |
Literary responses | Emily Lawless | William Ewart Gladstone
originally took With Essex in Ireland to be an authentic account. Edith Sichel
suggests that it required Homeric naïveté and immense power of belief to take it for a contemporary document, but... |
Textual Features | Emily Lawless | The volume is suffused with lament for the plight of Ireland past and present, as in the Dirge for All Ireland. 1581. This was the second year of the brutal colonising campaign of the... |
Intertextuality and Influence | Katharine S. Macquoid | A Bad Beginning's title-page quotes Spenser
, on the wrongness of binding in love those whom God has not ordained for each other. As every English reader would have expected, the French marriage of... |
Textual Production | Katharine S. Macquoid | The last novel by the nearly ninety-year-old KSM
, Molly Montague's Love Story, appeared at London with the National Society's Depository
. She headed it, like her first book, with a quotation from Spenser |
Textual Features | Judith Cowper Madan |
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