L. E. L.

-
Standard Name: L. E. L.
Birth Name: Letitia Elizabeth Landon
Pseudonym: L.
Pseudonym: L. E. L.
Used Form: LEL
Used Form: L.E.L.
LEL was one of the most prolific and popular authors of her day. She produced an immense corpus of poetry, several works of fiction (the first a particularly striking silver fork novel), and considerable review and editorial work. Her work more than any other popularized the persona of the lovelorn, doomed poetess in the early nineteenth century.
Black and white photograph of a three-quarter length drawing of L.E.L. in chalk and pencil by Daniel Maclise, early 1830s. She is wearing a white dress whose wasp waist is accentuated by a broad belt, large billowing skirt and upper sleeves, and high standaway collar. Her dark, shining hair is centre-parted and pulled back, with tiny kiss-curls below and a tall, plaited arrangement above. Her expression is languishing. National Portrait Gallery.

Connections

Connections Author name Excerpt
Publishing Isabel Hill
Bentley had already offered the translation job to three or four other writers. After Hill completed her work she learned that L. E. L had rendered Corinne's odes into English. In the end L.E.L's translations...
Publishing Regina Maria Roche
The work bears a dedication, dated at London on 10 April 1828, to Princess Augusta Sophia .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 671
In her preface RMR , unusually, says something about herself, and the financial and emotional problems...
Reception Felicia Hemans
FH 's circulation in her lifetime rivalled that of her most prominent male contemporaries. With sales of about 18,000 volumes, she outsold Coleridge and Wordsworth , if not Scott and Byron . She proved, as...
Reception Emma Roberts
At the same time the memoir seems concerned to defend ER against any hint of being interested in deep investigations or profound reflections, which it implies would have been culpably unfeminine. It quotes a Calcutta...
Textual Features Mary Oxlie
The poem gives ten lines to humble self-deprecation, in iambic pentameter couplets: a metre which serves to separate this passage from the rest, since the remaining 42 lines, which praise Drummond 's descriptive powers, are...
Textual Features Christian Isobel Johnstone
It seeks to enlarge vocabulary by omitting words and leaving the young readers to supply the gaps. Topics include life in other countries. The book features poetry by L. E. L. and Wordsworth .
Textual Features Marguerite Gardiner Countess of Blessington
In the plot, Jim is suspected in the murder of a policeman, but later becomes sensibly disillusioned with repeal. Grace improves her natural goodness by reading the Bible in an almost Protestant manner. She ministers...
Textual Features Caroline Norton
The verse narrative is written in rhyming couplets, sometimes in very regular pentameter and at others in quite irregular metre that reflects, for instance, the anguish of the speaker's musings on memory and death. Stylistically...
Textual Features Christina Rossetti
The first poem, in the vein of major precursors Felicia Hemans and L. E. L. , represents the head of the lyric tradition as irrepressibly sighing and yearning for death, albeit that death will be...
Textual Features Marguerite Gardiner Countess of Blessington
Critic Paula R. Feldman writes that she filled in the gaps in each literary annual with her own poetry or prose.
Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press, 1997.
150
In the Book of Beauty for 1839, for instance, Blessington contributed two poems...
Textual Features Dorothy Wellesley
DW 's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington , doyenne of the albums...
Textual Production Agnes Strickland
Even before settling in London, AS began her professional authorial career with tales for children, many published in The Parting Gift, of which she was at that time the editor.
Pope-Hennessy, Una. Agnes Strickland: Biographer of the Queens of England. Chatto and Windus, 1940.
22
She published...
Textual Production Mary Ann Browne
She quotes L. E. L. on her title page, and dedicates her work (these early efforts of my timid Muse)
Browne, Mary Ann. Mont Blanc. Hatchard and Son, 1827.
v
to Princess Augusta Sophia . A preface by an unnamed male friend...
Textual Production Marguerite Gardiner Countess of Blessington
Marguerite Blessington issued her first number as editor of the Book of Beauty (an annual Christmas gift book, then in its second year); she succeeded L.E.L. in this post.
Adburgham, Alison. Women in Print: Writing Women and Women’s Magazines from the Restoration to the Accession of Victoria. George Allen and Unwin Ltd., 1972.
249
Molloy, Joseph Fitzgerald. The Most Gorgeous Lady Blessington. 4th ed., Downey, 1896.
233
Textual Production Sarah Stickney Ellis
SSE edited Fisher's Drawing-Room Scrapbook at some point following LEL 's death in 1838. In this she voiced her own admiration of Elizabeth Fry , as well as contributing much of the verse for the years 1843-45.
Landow, George P., editor. Victorian Research Web. http://www.victorianweb.org/.
Boyle, Andrew. An Index to the Annuals. Andrew Boyle, 1967.
88

Timeline

No timeline events available.

Texts

No bibliographical results available.