Barker, Pat. Regeneration. Viking-Penguin, 1991.
3, 71
Connections Sort descending | Author name | Excerpt |
---|---|---|
Characters | Pat Barker | Barker opens with the text of Finished with the War, A Soldier's Declaration, issued in July 1917 by the writer Siegfried Sassoon
, one of her real-life characters. Barker, Pat. Regeneration. Viking-Penguin, 1991. 3, 71 |
Characters | Pat Barker | This novel recreates the psychological warfare and the widespread social unrest of the war years. It ends on a series of deaths of people who are in every meaningful way, dead already. Barker, Pat. The Ghost Road. Viking-Penguin, 1995. 264 |
Friends, Associates | Lady Margaret Sackville | LMS
became, according to Mary Agnes Hamilton
, one of those [e]verybody who was anybody in the anti-war movement, who gathered around Lady Ottoline Morrell
. Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape, 1944. 78 |
Intertextuality and Influence | Seamus Heaney | Confronted with a desperate and ironic play about refugees, he writes of Friel's Volunteers that certain critics would have preferred grandiloquent abstraction. Invoking Wilfred Owen
, Heaney unpacks the stock response to the idea... |
Literary responses | Lady Margaret Sackville | Whitney Womack
has recently written that LMS
's war poetry should be read alongside the war poetry of Rupert Brooke
, Edward Thomas
, Wilfred Owen
, Siegfried Sassoon
, and Isaac Rosenberg
, as... |
Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
Reception | Lilian Bowes Lyon | LBL
's publisher identified her as one of the much-tried generation that produced Wilfred Owen
, belonging to no school and no one world, and more indebted to actual people of many nations and... |
Reception | Rupert Brooke | Brooke's reputation quickly developed into icon status: he came to symbolise a generation of golden youth willingly and idealistically sacrificed. This image rested particularly on poems like his sonnet The Soldier, which looks forward... |
Reception | May Cannan | Bevil Quiller-Couch
wrote that of the books he had read at the Front (more books than during the rest of my life, Cannan, May, and Bevil Quiller-Couch. The Tears of War. Editor Fyfe, Charlotte, Cavalier Books, 2000. 67 |
Textual Features | Carol Ann Duffy | Among the many poets gathered here, inescapable choices like Wilfred Owen
, Siegfried Sassoon
, Isaac Rosenberg
, and Robert Graves
rub shoulders with the unexpected, like Cynthia Asquith
, Sarojini Naidu
, and Gertrude Stein
. |
Textual Features | Edith Sitwell | Wheels was a series in opposition: to the First World War, to the cosiness of the Georgian school of poetry, and to the establishment in general. It drew its revolutionary note from the continued influence... |
Textual Production | Susan Hill | SH
published Strange Meeting, A Novel, set during the First World War and titled from the name of a poem by Wilfred Owen
. Whitaker’s Books in Print. J. Whitaker and Sons, 1988–2003. (1988) “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 14 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 139 |
Textual Production | Iris Tree | Sitwell included five poems by Tree in the first cycle, eight in the second, and nine in each of the third and fourth cycles. The anthology, which extended to six cycles in all, also included... |
Textual Production | Dylan Thomas | Many of these pieces had been first broadcast on BBC
radio, not including the furiously satirical How To Be a Poet but including a warm tribute to an actual poet, Wilfred Owen
. Borne Back Daily. 2001, http://borneback.com/ . 4 November 2008 |
No bibliographical results available.