Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, Vol.
26
, No. 2, Mar.–Apr. 2009, pp. 21-2. 22
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Wendy Cope | Many of these poems first appeared in newspapers and periodicals: the Daily Telegraph, The Guardian, The Independent, Oxford Poetry, Poetry Review, and so on, and one pseudonymously as a submission... |
Anthologization | Anne Stevenson | AS
has continued to contribute poems to many of the available outlets: journals like PN Review, the London Review of Books, the Times Literary Supplement, Poetry Wales, Poetry Ireland, The... |
Literary responses | Eavan Boland | The volume (called by Jody Allen Randolph
a sustained meditation on power and loss—of nation, of language, of illusions, and possibly of the self anchored by these) Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, Vol. 26 , No. 2, Mar.–Apr. 2009, pp. 21-2. 22 Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Literary responses | Eavan Boland | This collection received a Poetry Book Society
Special Commendation. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Occupation | Philip Larkin | From the 1960s PL
became a committee-man and public intellectual. He rendered service in various ways to his profession of librarianship. For the Arts Council of Great Britain
he served on the literature panel, and... |
Occupation | Kate Clanchy | For a year KC
worked at the Oxford University Department of Education
. From then until the present she has continued her freelance career as a teacher, writer, journalist, and broadcaster. She has been a... |
Occupation | Jo Shapcott | JS
began teaching English at Rolle College
in Exmouth (one of the three main campuses of the University of Plymouth
, which, however, is due to be relocated in a movement towards centralization). She then... |
Publishing | Penelope Shuttle | |
Reception | Gillian Clarke | Reviewers of this book included Anne Stevenson
. Letting in the Rumour, which followed in 1989, was a Poetry Book Society
recommendation and was reviewed by Sheenagh Pugh
. Elfyn, Menna, editor. Trying The Line. Gomer, June 1997. 106 Gillian Clarke. http://gillianclarke.co.uk/home.htm. |
Reception | Anne Sexton | The book was listed as a Poetry Book Society
recommendation and AS
was elected a Fellow of the Royal Society of Literature
. Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991. 243 |
Reception | Gillian Clarke | Tony Conran
in New Welsh Review noted that he found this the most satisfying of GC
's collections so far, Elfyn, Menna, editor. Trying The Line. Gomer, June 1997. 19 |
Reception | E. J. Scovell | This volume was a Poetry Book Society
recommendation. Dowson, Jane, editor. Women’s Poetry of the 1930s: A Critical Anthology. Routledge, 1996. 122 |
Reception | Gillian Clarke | Again, this book was a Poetry Book Society
recommendation.A reviewer noted the use in these poems of kennings and of slate-sharp stress patterns. qtd. in Gillian Clarke. http://gillianclarke.co.uk/home.htm. |
Reception | E. J. Scovell | Alan Brownjohn
, in a review for the Sunday Times, noted with a clear reminiscence of The Swan's Feet the tough talent at work under the surface calm. qtd. in Dowson, Jane, editor. Women’s Poetry of the 1930s: A Critical Anthology. Routledge, 1996. 123 Dowson, Jane, editor. Women’s Poetry of the 1930s: A Critical Anthology. Routledge, 1996. 122 |
Reception | Carol Rumens | This was named as a Poetry Book Society
Recommendation. |
No bibliographical results available.