Mayo, Robert. The English Novel in the Magazines, 1740-1815. Northwestern University Press.
232
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Catherine Cuthbertson | It came out in four volumes from Robinson
, but many copies were burned in a warehouse fire. After this The Lady's Magazine reprinted it as a serial beginning in February 1804. Mayo, Robert. The English Novel in the Magazines, 1740-1815. Northwestern University Press. 232 |
Textual Production | Ann Radcliffe | |
Textual Production | Mrs E. M. Foster | Another doubtful ascription to MEMF
was Light and Shade, published in four volumes by |
Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
Textual Production | Ann Radcliffe | The full title is A Journey made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return down the Rhine. To which are added Observations during a... |
Textual Production | Mary Hays | She had finished writing it by early May. Her publisher was Robinson
, who also published Godwin. He advertised the novel just before publication. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 94-5 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 677 |
Textual Production | Barbara Hofland | BH
published with G. and S. Robinson
the epistolary Iwanowna; or, The Maid of Moscow. A Novel; the title-page identifies her only by a list of some of her previous work. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 381 Feminist Companion Archive. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Anna Seward | |
Textual Production | Elizabeth Inchbald | A two-act farce by EI
, Appearance is Against Them (played at Covent Garden
the previous month), was published by George Robinson
. Critical Review. W. Simpkin and R. Marshall. 60 (1785): 393 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 34 |
Textual Production | Charlotte Smith | CS
dated the preface (an innovation for her) to Desmond: A Novel, published through G. G. J. and J. Robinson
, the first of her works to be titled with a man's name. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 574 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 140, 142 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press. xxiii |
Textual Production | Germaine de Staël | GS
published her successful and controversial novel Delphine; two separate English translations appeared in 1803: one from Mawman
by April, and one from Robinsons
(delayed by a warehouse fire) by May. Winegarten, Renee. Mme de Staël. Berg. 122 Critical Review. W. Simpkin and R. Marshall. 2d ser. 38 (1803): 48 |
Textual Production | Frances Jacson | Fifteen years after her most recent book, FJ
published a novel entitled Things By Their Right Names, with a different publisher, Robinson
, and under a pseudonym, A Person without a Name. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Sophia Lee | It occupied six volumes, published with Robinson
. It was, she says, the first of all her works to be written, although almost the last to appear. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii. xxvi-xxvii |
Textual Production | Catharine Macaulay | |
Textual Production | Sarah Harriet Burney | The publishers were G. G. and J. Robinson
. The novel's appearance almost coincided with that of Frances Burney's Camilla. SHB
seems proudly, even huffily, to have rejected the idea of arranging for some... |
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