Royal Literary Fund

Connections

Connections Sort descending Author name Excerpt
Textual Production Henrietta Rouviere Mosse
To the Royal Literary Fund she boasted the following March, both about her patronage from the marchioness and the fact that this book had brought her thirty pounds. But she still needed to ask for...
Textual Production Henrietta Rouviere Mosse
HRM sent two sets of recent works (it is not known which) to the Royal Literary Fund , saying she had completed them in 1825-6 while recovering from a recent illness. When after her husband's...
Textual Production Eliza Parsons
Besides EP 's surviving letters to the Royal Literary Fund , OCLC WorldCat lists two undated letters of hers to Sir James Bland Burges and one of 1801 to William Pitt the Younger .
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Textual Production Henrietta Rouviere Mosse
HRM mentioned to the Royal Literary Fund on 13 March 1830 several works in progress which she probably never finished. There were three volumes of moral and entertaining tales founded on fact, and another work...
Textual Production Eliza Parsons
According to EP in one of her pleas for help to the Royal Literary Fund , she was compelled by dire necessity to become an Author and her sixty-five volumes of fiction were produced under...
Textual Production Emily Frederick Clark
The title of this work changed several times during the course of composition. This book must have been the Moral Tales she mentioned to the Royal Literary Fund in 1811 as her fifth work, then...
Textual Production Emily Frederick Clark
In 1812 EFC told the Royal Literary Fund that she was working on Rosamond, or Love in Sicily (presumably a novel, not known to have been published); a few years later she was proposing to...
Textual Production Mary Ann Radcliffe
In 1871 the author of Manfroné (which was reprinted by Minerva Press in 1819 and 1828) was identified in Notes and Queries as a different Mary Ann Radcliffe, who lived in Durham and was a...
Textual Production Mary Matilda Betham
Some time after printing her Vignettes: in VerseMMB was planning a book to be called Crow-Quill Flights. A certain incoherence of style in the preface (which is all that survives) suggests that it...
Textual Production Phebe Gibbes
PG chose anonymity for what seems to be her next novel, the epistolary History of Eliza Musgrove.
Some reference sources attribute this work to Mrs A. Woodfin , but PG told the Royal Literary Fund
Textual Production Elizabeth Inchbald
A contemporary note in the Harvard copy of The History of Miss Sommerville, published anonymously (as a Lady) in 1769, erroneously attributes it to Mrs Inchbauld. This, however, is too early a...
Textual Production Adelaide O'Keeffe
AOK , a recipient of Royal Literary Fund charity since 1833, became probably the only author ever to question the Fund's methods, setting out by letter her detailed proposals for reforming the system.
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Phebe Gibbes
The anonymous Zoraida; or, Village Annals. A Novel appeared; though the English Short Title Catalogue and other sources ascribe it to Anne Hughes , PG later told the Royal Literary Fund she had written it.
Raven, James. “Historical Introduction: The Novel Comes of Age”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 14-117.
41
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 380
Textual Production Sarah Scudgell Wilkinson
There was published by W. Mason in two volumes The Spectre of Lanmere Abbey, or The Mystery of the Blue and Silver Bag; A Romance, with SSW 's name.
Her name appears, as usual...
Textual Production Phebe Gibbes
PG reported to the Royal Literary Fund her unsubduable aspiration . . . to perfect before she dies, a work that will evince, she has not lived in vain. She had such a work on...

Timeline

No timeline events available.

Texts

No bibliographical results available.