OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Royal Literary Fund
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Henrietta Rouviere Mosse | To the Royal Literary Fund
she boasted the following March, both about her patronage from the marchioness and the fact that this book had brought her thirty pounds. But she still needed to ask for... |
Textual Production | Henrietta Rouviere Mosse | HRM
sent two sets of recent works (it is not known which) to the Royal Literary Fund
, saying she had completed them in 1825-6 while recovering from a recent illness. When after her husband's... |
Textual Production | Eliza Parsons | Besides EP
's surviving letters to the Royal Literary Fund
, OCLC WorldCat lists two undated letters of hers to Sir James Bland Burges
and one of 1801 to William Pitt the Younger
. |
Textual Production | Henrietta Rouviere Mosse | HRM
mentioned to the Royal Literary Fund
on 13 March 1830 several works in progress which she probably never finished. There were three volumes of moral and entertaining tales founded on fact, and another work... |
Textual Production | Eliza Parsons | According to EP
in one of her pleas for help to the Royal Literary Fund
, she was compelled by dire necessity to become an Author and her sixty-five volumes of fiction were produced under... |
Textual Production | Emily Frederick Clark | The title of this work changed several times during the course of composition. This book must have been the Moral Tales she mentioned to the Royal Literary Fund
in 1811 as her fifth work, then... |
Textual Production | Emily Frederick Clark | In 1812 EFC
told the Royal Literary Fund
that she was working on Rosamond, or Love in Sicily (presumably a novel, not known to have been published); a few years later she was proposing to... |
Textual Production | Mary Ann Radcliffe | In 1871 the author of Manfroné (which was reprinted by Minerva Press
in 1819 and 1828) was identified in Notes and Queries as a different Mary Ann Radcliffe, who lived in Durham and was a... |
Textual Production | Mary Matilda Betham | Some time after printing her Vignettes: in VerseMMB
was planning a book to be called Crow-Quill Flights. A certain incoherence of style in the preface (which is all that survives) suggests that it... |
Textual Production | Phebe Gibbes | |
Textual Production | Elizabeth Inchbald | A contemporary note in the Harvard
copy of The History of Miss Sommerville, published anonymously (as a Lady) in 1769, erroneously attributes it to Mrs Inchbauld. This, however, is too early a... |
Textual Production | Adelaide O'Keeffe | AOK
, a recipient of Royal Literary Fund
charity since 1833, became probably the only author ever to question the Fund's methods, setting out by letter her detailed proposals for reforming the system. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Phebe Gibbes | The anonymous Zoraida; or, Village Annals. A Novel appeared; though the English Short Title Catalogue and other sources ascribe it to Anne Hughes
, PG
later told the Royal Literary Fund
she had written it. Raven, James. “Historical Introduction: The Novel Comes of Age”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 14-117. 41 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 380 |
Textual Production | Sarah Scudgell Wilkinson | |
Textual Production | Phebe Gibbes | PG
reported to the Royal Literary Fund
her unsubduable aspiration . . . to perfect before she dies, a work that will evince, she has not lived in vain. She had such a work on... |
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