Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, pp. 101-24.
103-4
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Catherine Talbot | CT
must have written this by 1754, when George Berkeley
transcribed it with notes on making use of it for his sermons. His copy (now British Library
Additional MS 46689) is titled Meditations. It... |
Textual Production | Nancy Cunard | This reached print only two years before a book on the same outrageously camp figure by a younger writer, Brigid Brophy
. The British Library
keeps its copy in the category of books likely to... |
Textual Production | Sarah Grand | SG
first appeared in print with her novel Two Dear Little Feet: a morality tale about the dangers posed to women's health by fashionable, too-tight boots. Scholars like Gillian Kersley
, Ann Heilmann
... |
Textual Production | Julian of Norwich | She produced her account first in a shorter and then in a longer version. Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, pp. 101-24. 103-4 |
Textual Production | Bathsua Makin | The Bodleian Library
holds poems by BM
(not indexed under M); the British Library
has a copy of Musa Virginea with a note on the final page in her writing. The Huntington Library
has her... |
Textual Production | Catharine Trotter | |
Textual Production | Charlotte Brontë | CB
's stay in Brussels (as well as contributing eventually to Villette) produced a number of French exercises or devoirs, plus her subsequent letters to Constantin Heger
. Four of the letters (of which... |
Textual Production | Jane Harvey | JH
dated her preface 12 February 1806. A former owner of what is now the Bodleian Library
copy, who lived at Tynemouth Vicarage, wrote their name in the novel in 1936. The Chawton House Library |
Textual Production | Philip Larkin | PL
began to fill the first of his surviving poetry notebooks. He continued to use it until March 1950, and in 1965 he presented it to the British Library
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Jane Austen | Volume the Third was bought by the British Library
. The incomplete manuscript of The Watsons was bought at this sale by a private buyer who placed it on deposit at Queen Mary and Westfield College |
Textual Production | Maria Callcott | Some of MC
's manuscripts (owned by Rosamund Brunel Gotch
in 1937) are now in the Bodleian Library
. A collection of her sketches (including many of the drawings which accompanied her journal of her... |
Textual Production | Elizabeth Elstob | The British Library
holds some of EE
's papers. Her manuscripts among the Ballard Collection in the Bodleian Library
include this biography, her notes for female biography, a short autobiography written in the third person... |
Textual Production | Isabel Hill | In 1823 IH
anonymously published Zaphna; or, The Amulet: a Poem; it is now very rare (held neither by the British Library
nor by the Bodleian
, nor listed in OCLC WorldCat). Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. Peace, Mary et al., editors. “Corvey Women Writers on the Web: an Electronic Guide to Literature 1796-1834 (CW3)”. Sheffield Hallam Corvey: The Corvey Project at Sheffield Hallam University. |
Textual Production | Mary Linskill | For Pity's Sake, which appeared posthumously, was, says Cordelia Stamp
, the last novel that ML
wrote—or rather the last she worked at, revising it from an early story. This book is not listed... |
Textual Production | Muriel Spark | MS
edited and published A Selection of Poems by Emily Brontë, with an introduction, for the Crown Classics Series published by Grey Walls Press
. Though this was the official publication date, the British Library |
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