McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008.
107n30
Connections Sort descending | Author name | Excerpt |
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Textual Features | Anna Hume | The British Library
copy differs from other extant copies in adding a concluding poem of eleven couplets (about the soul's parting from the body, after death has rendered the body disgusting), which is now known... |
Textual Features | Edna Lyall | Seven years into the story, Erica is earning money by journalism (she enjoys working in the homelike reading room of the British Museum
). Brian has admitted to himself that he is in love with... |
Textual Features | Catharine Trotter | The letters published by Birch reflect an intellect dealing in literary as well as moral debate. To Thomas Burnet of KemnayCT
wrote of religious and philosophical matters; he was her link to currents of... |
Textual Features | Anna Letitia Barbauld | This issue was a continuing interest of Barbauld's. She had contributed five hymns, anonymously, to William Enfield
's Hymns for Public Worship (published at Warrington in 1772), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 107n30 |
Textual Features | Hilary Mantel | She is interested in hidden history, in apparently negligible people or objects whose historical significance is apparent only with hindsight, like the ginger-haired baby who would one day be known as Queen Elizabeth
or the... |
Textual Features | Lady Mary Walker | Meanwhile, Lady Frances begins by building one hundred dwellings (designed by Capability Brown
) to house artisans and workmen, and proceeds to construct a museum, library, astronomical observatory, an anatomy room, studios, a botanical garden... |
Textual Features | Margaret Holford | Woodville/Davenant credits his rescue from dissipation and folly partly to the virtuous Fanny Holford, Margaret, the elder. Fanny: A Novel: In a Series of Letters. W. Richardson, 1785, 3 vols. 2: 1 |
Textual Features | Mary Herberts | The romance story is richly embellished with detail: highwaymen, a house burning down, and debates on topics like music, national stereotypes, and the nature of love. Bellflœur goes by the name of Mr Flower... |
Textual Features | Lucy Hutton | Towards the end of her work LH
addresses men, telling them her wish is that they should meet women halfway. Her expression of humility, or of dissatisfaction with her own work (my aerial car... |
Textual Features | Cecily Mackworth | |
Textual Features | Elizabeth Elstob | EE
's preliminary list of names suggests considerable research work: it includes several ancient or Anglo-Saxon women as well as Mary Astell
, Anne Bacon
, Katherine Chidley
(as the pamphlet antagonist of Thomas Edwards |
Textual Features | Dorothy Boulger | Many of them flag through their titles the fact that their pivotal roles belong to women, in a way that suggests they were intended for a mostly female audience. Such titles include two which look... |
Textual Production | Elizabeth Postuma Simcoe | The series of watercolours by EPS
which her husband presented to George III
are now in the British Library
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Mary Sidney Herbert Countess of Pembroke | She went on working at them later, developing her skills as she went on, and doing a great deal of revision. Her critic Gary F. Waller
believes that she kept two working drafts simultaneously in... |
Textual Production | Jane Austen | Volume the Third was bought by the British Library
. The incomplete manuscript of The Watsons was bought at this sale by a private buyer who placed it on deposit at Queen Mary and Westfield College |
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