Gorham, Deborah. Vera Brittain: A Feminist Life. Blackwell, 1996.
155
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary Setting | Evelyn Waugh | The viewpoint here is that of the narrator, Charles Ryder, as he looks back nostalgically from his current army milieu to the vanished privilege of an English country house and an Oxford
college. Ryder is... |
Literary Setting | Philip Larkin | The story first picks Phippy up in Form II; in Form IV he fails to borrow a dictionary from an aesthete named the Hon. Percy de Selincourt, who in Form V betrays him and precipitates... |
Literary Setting | Philip Larkin | The story is set at Oxford during the second world war, when the university
's number of male students was severely reduced by the military call-up but when, Larkin later maintained, class-distinctions barely registered. This... |
Literary Setting | Doreen Wallace | Olive Flowerdew, a Suffolk smallholder's daughter, home from her first vacation from Oxford
, finds herself alienated from her family: from her father, who is generously willing to be left behind as she gets ahead... |
Literary Setting | Dorothy L. Sayers | In Gaudy Night, Harriet Vane returns to Oxford, the scene of her student days at Shrewsbury College, a fictional women's college
. Her first visit is for a gaudy, but she soon returns... |
Literary Setting | Naomi Alderman | The protagonist, James, studied physics at Oxford
before embarking on a business career in London and Italy. James is gay, and otherwise unremarkable; the lessons are those that life has taught him since his... |
Material Conditions of Writing | Eleanor Rathbone | This text grew out of the socio-economic research which she had begun in 1896, following her return to Liverpool from Oxford
. |
Material Conditions of Writing | Winifred Holtby | WH
began writing this novel, which was originally titled Anlaby Wold, in 1920 while she and Vera Brittain
were still students at Oxford
. Gorham, Deborah. Vera Brittain: A Feminist Life. Blackwell, 1996. 155 |
Material Conditions of Writing | Kathleen Nott | From early adolescence KN
tried to write poetry. Nott, Kathleen. A Soul in the Quad. Routledge and Kegan Paul, 1969. 8 Nott, Kathleen. A Soul in the Quad. Routledge and Kegan Paul, 1969. 9 |
Material Conditions of Writing | Rhoda Broughton | In Belinda, RB
is believed to have drawn extensively from her own early negative experience of the closed world of Oxford
society. It was in particular believed that she caricatured college head Mark Pattison |
Material Conditions of Writing | Philip Larkin | At OxfordPL
embarked, with Kingsley Amis
, on a series of wild parodies and travesties, most notably Larkin's Willow Gables series of spoof school stories for girls. He also provided ideas, suggestions, a plot... |
Material Conditions of Writing | Barbara Pym | In many ways this novel reflects BP
's undergraduate years at Oxford
, featuring characters and episodes based partly on herself, her sister, and her friends or acquaintances. Among these, Henry Harvey
and the future... |
Material Conditions of Writing | Diana Athill | As a child DA
began writing a play in which a cousin was to play the role of the good, blond and slightly insipid princess, while Diana was to be the dark, wicked one. Athill, Diana. Life Class: The Selected Memoirs of Diana Athill. Granta, 2009. 170 |
Material Conditions of Writing | E. J. Scovell | |
Material Conditions of Writing | Helen Waddell |
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