Wallace, Eglinton. The Ton, or Follies of Fashion. A Comedy. T, Hookham.
iv
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Charlotte McCarthy | It was printed for the Author. Copies survive at the Library of Congress
, Huntington Library
, and Boston Public Library
. Biographia Dramatica calls it a performance, though the text states that it... |
Textual Production | Katharine Tynan | KT
's papers are held at the Southern Illinois University Library
; her letters from W. B. Yeats
are at the Huntington Library
; and other papers are held at the University of Texas at Austin, Harry Ransom Humanities Research Center Library |
Textual Production | Elizabeth (Cavendish) Egerton, Countess of Bridgewater | The present BL
Egerton MS 607 was at one time owned by the author's descendant Samuel Egerton Brydges
. Two contemporary copies of this manuscript, one of them with extensive and important annotation by the... |
Textual Production | Mary Russell Mitford | Her papers are widely scattered. In England the British Library
, the Bodleian Library
, the John Rylands Library
, and Berkshire County Library
hold important material; so do Harvard University Library
and the Huntington Library |
Textual Production | Eglinton Wallace | The play was too long, so some passages were omitted in performance. Wallace, Eglinton. The Ton, or Follies of Fashion. A Comedy. T, Hookham. iv “Eighteenth Century Collections Online”. Gale Databases. |
Textual Production | Elizabeth (Cavendish) Egerton, Countess of Bridgewater | Lady Bridgewater's extended, ambitious Meditations on the Severall Chapters of the Holy Bible, in her own hand with revisions in her husband
's, in folio with a particularly lovely binding, Travitsky, Betty, and Elizabeth (Cavendish) Egerton, Countess of Bridgewater. “Subordination and Authorship: Elizabeth Cavendish Egerton”. Subordination and Authorship: the case of Elizabeth Cavendish Egerton and her &quot:loose papers", Tempe, Ariz., pp. 1-172. 138 |
Textual Production | Sarah Fyge | The manuscript is in the Huntington Library
. |
Textual Production | Elizabeth Montagu | EM
's correspondents over the course of her life included Dr John Gregory
, Eliza Berkeley
, Mary Delany
, Ann Donellan
, and Hester Thrale
, besides the Duchess of Portland, Sarah Scott, and... |
Textual Production | Eglinton Wallace | The manuscript is now in the Huntington Library
: Larpent 1093. The full title, as published with EW
's name, was The Whim, A Comedy. . . . With an Address to the Public, upon... |
Textual Production | Anne Burke | The manuscript submitted to the censor, Larpent MS 992, survives in the Huntington Library
. |
Textual Production | Sarah Gardner | SG
mentions cutting two lines from her play on the censor's suggestion on grounds of mainstream politics. She does not mention cuts on grounds of gender politics, but she apparently made two. In the manuscript... |
Textual Production | Elizabeth Montagu | A new edition followed in June 1765. Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable. 1: 122 |
Textual Production | Frances Burney | The copy read by the examiner of plays (all plays to be performed on the London stage had to apply for a licence) survives at the Huntington Library
as Larpent MS 1058. The tragedy reached... |
Textual Production | Hannah More | HM
was a formidably energetic letter-writer all her life, from her early visits to London, which produced scintillating and gossippy letters home, to her old age. Individual collections reached print, like those to Zachary Macaulay |
Textual Production | Dorothy White | Following Priscilla Cotton
but preceding Margaret Fell
, DW
defended women's preaching in A Call from God Out of Egypt, by His Son Christ the Light of Life, which is partly in verse (a... |
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