Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press.
400
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Performance of text | Charlotte Smith | CS
's only extant play, the comedy What Is She?, opened anonymously at the Theatre Royal, Covent Garden
. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 400 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 289 |
Performance of text | Robert Browning | RB
's tragedy in blank verse entitled Strafford was first performed at Covent Garden
; it was published the same year. Irvine, William, and Park Honan. The Book, the Ring, and the Poet: A Biography of Robert Browning. McGraw-Hill. 74-5 The Concise Dictionary of National Biography: From Earliest Times to 1985. Oxford University Press. |
Performance of text | Oscar Wilde | The first performance was heard at Covent Garden
of the English opera written by Richard Strauss
to the text of OW
's Salome. Tydeman, William, and Steven Price. Wilde—Salome. Cambridge University Press. 185 |
Performance of text | E. M. Forster | Billy Budd, Benjamin Britten
's opera based on Herman Melville
's novel, with libretto by EMF
and Eric Crozier
, opened at the Royal Opera House
, Covent Garden, London. Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press. 216 Kirkpatrick, Brownlee Jean. A Bibliography of E. M. Forster. Clarendon. 60 |
Performance of text | Anne Burke | A play was put on at Covent Garden
entitled The Ward of the Castle and ascribed to Miss Burke. Several sources ascribe this to AB
, but she was a married woman, and would... |
Performance of text | Maria Theresa Kemble | MTK
played Lady Elizabeth Freelove (opposite her husband
) in her comic interlude The Day After the Wedding; or, a Wife's First Lesson, at Covent Garden
. Feminist Companion Archive. |
Performance of text | Hannah Cowley | HC
had her first great hit when her comedy The Belle's Stratagem opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 319 |
Performance of text | Catherine Gore | CG
's next play, Modern Honour; or, The Sharper in High Life, opened at Covent Garden
, only to prove her first unequivocal flop. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34. 9 |
Performance of text | Hannah Cowley | Another comedy by HC
, The World as it Goes; or, A Party at Montpelier, opened at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 411 |
Performance of text | Catherine Gore | CG
's next play, King O'Neil; or, The Irish Brigade, opened at Covent Garden
: a spectacular comedy-drama. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34. 15 |
Performance of text | Charlotte Lennox | CL
's comedy The Sister was disastrously staged at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 4: 1386 Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. |
Performance of text | Hannah Cowley | HC
's comedy Which Is the Man? opened belatedly at Covent Garden
. The London Stage 1660-1800. Southern Illinois University Press. 5: 496 |
Performance of text | Catherine Gore | CG
's historical drama Don Juan of Austria (adapted from Don Juan D'Autriche by Casimir Delavigne
) began a twelve-night run at Covent Garden
. Parts of this story overlap with Friedrich Schiller
's Don... |
Performance of text | Hannah Cowley | HC
scored another comedy hit with A Bold Stroke for a Husband when it opened at Covent Garden
. Her title had been used as a subtitle by Sarah Gardner
for her unpublished play The... |
Performance of text | Hannah Cowley | HC
had another opening night at Covent Garden
: the comedy More Ways Than One. The London Stage 1660-1800. Southern Illinois University Press. 5: 663-4 |
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