The play which aroused such passions has considerable feminist interest. It turns on the desire of the young widow Mrs Holdfast to choose herself a second husband by advertising for candidates. She is lodging at the house of Madame L'Bronze, who has the distinction of being a Frenchwoman sympathetically portrayed. When the widow's confidante and protegée, Lydia Fanlove, suggests a woman hack writer to draw up the advertisement, the widow is charmed, not having known that such women existed. One thread of the play, therefore, is the experience of the female hack, Mrs Epigram, who lives with tattered clothes and inky fingers in a shabby, paper-strewn garret, but who is a woman of principle and idealism. Connected with her are her slave-driving publisher, Snap (who sees lines of verse strictly as product), and a cheery, rough-spoken sailor, her cousin, Jack Steerage, who sees through gender and class stereotypes to judge by the heart. Another thread is the progress of selection among the widow's suitors, who include an Englishman, Scotsman, and Irishman. The pallidly-sketched young Englishman, George Wydham (the name was altered from Wyndham, to avoid reference to actual persons) acts purely at his father's command, does not want to marry the widow at all, and has a lost love, who turns out in the end to be Lydia. A miserly Scotsman, McLocust, contrasts with a handsome, emotional, generous young Irishman, Lieutenant Carrol O'Cannon (often called Little O'Cannon), who is happily free from English class or gender rigidity. A third, loosely-attached thread concerns a highly successful and fashionable man midwife, Dr Obstetric, who desires to act as voyeur when the widow interviews her marital candidates.