Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss.
forthcoming
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Julia Young | The title-page has two epigraphs. The first begins with two lines from Milton
's Il Penseroso (perhaps alluding to its musical setting by Handel
), which go on to link the nightingale with Anna... |
Intertextuality and Influence | Mary Wollstonecraft | MW
was replying to a number of authoritative male texts about the nature of women: by Burke
(who in Reflections on the Revolution in France had glorified Marie-Antoinette
and dismissed non-queenly femininity as animal), Rousseau |
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Textual Production | Elizabeth Pipe Wolferstan | The title-page bore her name and a quotation from Milton
. This book advertised her novel from nearly thirty years ago. Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss. forthcoming |
Education | Harriette Wilson | While she was still in her teens, although engaged in her second paid sexual relationship, her lover Frederic Lamb
set out to get her reading Milton
, Shakespeare
, Byron
, theRambler, Virgil |
Textual Production | Helen Maria Williams | |
Textual Production | Phillis Wheatley | The claim of the preface that PW
wrote for her own amusement, without thought of publication, and was now yielding to the persuasions of generous friends, may be taken with a grain of salt. She... |
Intertextuality and Influence | Eudora Welty | This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of... |
Intertextuality and Influence | Augusta Webster | She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton
ic, Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41. 338 |
Textual Production | Mary Webb | MW
published what is probably her best-known work, her final completed novel, Precious Bane (titled from Milton
's name for gold—part of the natural resources of Hell—in Paradise Lost). The phrase had also been... |
Intertextuality and Influence | Susanna Watts | The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear... |
Theme or Topic Treated in Text | Mary Augusta Ward | The contemporary story features a self-educated working-class intellectual and freethinker whose characterisation draws on many strands of thought of the day. Drawn after the model of self-made men such as Daniel Macmillan
, William Lovett |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Textual Features | Michelene Wandor | Her range of reference is wide: Milton
, Cromwell
, Virginia Woolf
, Joan Baez
, fairy tales, the Bible, and settings (as her publisher puts it) from Jerusalem to Hollywood, cafes to graveyards. |
Textual Production | Michelene Wandor | Since the early 1990s, MW
has turned her attention to music. Her libretti and radio plays include works based on poems by John Cornford
, John Milton
, and Ariosto
: Spain, first performed... |