John Milton

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Standard Name: Milton, John

Connections

Connections Author name Sort descending Excerpt
Intertextuality and Influence Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Intertextuality and Influence Dora Greenwell
Her allegorical poem Bring Me Word How Tall She Is begins Within a garden shade,
A garden sweet and dim,
Two happy children played
Together; he was made
For God, and she for him.
Greenwell, Dora. Camera Obscura. Daldy, Isbister.
62
Intertextuality and Influence Elizabeth Griffith
He describes her with a line from Donne 's Second Anniversary. EG 's range of reference here includes Rousseau , Milton , Frances Greville , and Lady Mary Wortley Montagu . Characters discuss and...
Education Sarah Josepha Hale
Sarah Josepha Buell (later SJH ) was taught at home by her mother, with her father and her brother Horatio (then a law student) joining in for such higher branches of learning as writing, Latin...
Theme or Topic Treated in Text Anna Maria Hall
The novel is set in seventeenth-century England, during the time of Cromwell's protectorate.
Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe.
145
Sutherland, John. The Stanford Companion to Victorian Fiction. Stanford University Press.
Cromwell , Lord Protector, appears as a character.
Hall, Anna Maria. The Buccaneer. R. Bentley.
66
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder.
The Buccaneer, the son of a royalist clergyman and his young...
Intertextuality and Influence Elizabeth Hamilton
EH seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace , Shakespeare , and Milton to...
Education Janet Hamilton
She attributed her power of language and ability for composition to reading the works of good authors,
Hamilton, Janet. Poems, Essays, and Sketches. James Maclehose.
viii
and modelling her style on theirs. She remembered reading the Bible and children's half-penny books before she...
Textual Production Janet Hamilton
Although he comments on the defects caused by a lack of classical education, and seems to rate her moral character more highly than her literary ability, Gilfillan pronounces Hamilton's work to be of uncommon excellence...
Intertextuality and Influence Elizabeth Hands
In Critical Fragments, on some of the English Poets (seven poets, all male), EH wittily exercises an imitation which is far from flattery. She begins with Milton , who in ponder'ous verse, moves greatly on...
Textual Features Jane Harvey
JH 's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is...
Intertextuality and Influence Jane Harvey
In addition to quotation from Milton , Pope , and Thomson , this book has a Sterne an flavour, with passages titled from sights (like The Theatre Royal and The Merchants's Court) alternating with...
Family and Intimate relationships Ann Hatton
Siddons was also an author: she published The Story of Our First Parents, Selected from Paradise Lost: For the Use of Young Persons, 1822 (to make Milton accessible for her children), and left unpublished...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...
Intertextuality and Influence Ann Hatton
The title-page quotes Milton and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare or Byron or attributed only...
Education Frances Ridley Havergal
FRH was an avid reader within limits: her selection of material was mostly dictated by her religious interests. After receiving a copy of a book about literary women she commented, The sad sketch of L. E. L.

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