Greenwell, Dora. Camera Obscura. Daldy, Isbister.
62
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Dora Greenwell | Her allegorical poem Bring Me Word How Tall She Is begins Within a garden shade, A garden sweet and dim, Two happy children played Together; he was made For God, and she for him. Greenwell, Dora. Camera Obscura. Daldy, Isbister. 62 |
Intertextuality and Influence | Elizabeth Griffith | He describes her with a line from Donne
's Second Anniversary. EG
's range of reference here includes Rousseau
, Milton
, Frances Greville
, and Lady Mary Wortley Montagu
. Characters discuss and... |
Education | Sarah Josepha Hale | |
Theme or Topic Treated in Text | Anna Maria Hall | The novel is set in seventeenth-century England, during the time of Cromwell's protectorate. Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe. 145 Sutherland, John. The Stanford Companion to Victorian Fiction. Stanford University Press. Hall, Anna Maria. The Buccaneer. R. Bentley. 66 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Education | Janet Hamilton | She attributed her power of language and ability for composition to reading the works of good authors, Hamilton, Janet. Poems, Essays, and Sketches. James Maclehose. viii |
Textual Production | Janet Hamilton | Although he comments on the defects caused by a lack of classical education, and seems to rate her moral character more highly than her literary ability, Gilfillan
pronounces Hamilton's work to be of uncommon excellence... |
Intertextuality and Influence | Elizabeth Hands | In Critical Fragments, on some of the English Poets (seven poets, all male), EH
wittily exercises an imitation which is far from flattery. She begins with Milton
, who in ponder'ous verse, moves greatly on... |
Textual Features | Jane Harvey | JH
's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is... |
Intertextuality and Influence | Jane Harvey | |
Family and Intimate relationships | Ann Hatton | Siddons was also an author: she published The Story of Our First Parents, Selected from Paradise Lost: For the Use of Young Persons, 1822 (to make Milton
accessible for her children), and left unpublished... |
Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Education | Frances Ridley Havergal |
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