Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Charlotte Lennox | She met Sarah Fielding
at Richardson's house, and became friendly also with Henry Fielding
, Saunders Welch
(the philanthropist, who later offered her employment), and Lord Orrery
. She was presumably the Mrs Lenox with... |
Friends, Associates | Anna Swanwick | Other friends mentioned by her niece and biographer were Fredrika Bremer
, Anna Brownell Jameson
, Frances Power Cobbe
, Thomas Carlyle
, George MacDonald
, Lady Eastlake
, Elizabeth Rundle Charles
, Lady Martin |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
Intertextuality and Influence | Catherine Fanshawe | CF
assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise? Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons, 1865. 1 |
Intertextuality and Influence | Una Marson | Some of these early poems engage with familiar British texts. Her playful To Wed or Not to Wed is based on the most famous speech by Shakespeare
's Hamlet, and is not without a trace... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Hélène Cixous | The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:... |
Intertextuality and Influence | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Intertextuality and Influence | Grace Aguilar | GA
defends her central subject (which eclipses the requisite romances in the plot) in these terms: if Shakspeare
scorned not to picture the sweet influence of female friendship shall women pass it by as a... |
Intertextuality and Influence | Frances Power Cobbe | The theoretical essay with which FPC
headed Josephine Butler
's landmark collection Woman's Work and Woman's Culture, 1869, launches out with wit: Of all the theories current concerning women, none is more curious than... |
Intertextuality and Influence | Maureen Duffy | While the present-day plot produces a series of surreal confrontations, it is punctuated by a string of glimpses into the past. These begin when Swanscombe Man (the prehistoric human whose bones are the earliest evidence... |
Intertextuality and Influence | Iris Murdoch | As often, Murdoch has a canonical text in mind for reworking: in this deeply unsettling novel it is Shakespeare
's Much Ado About Nothing. (One scene also recalls the book of Job.) But... |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green , 1827, 3 vols. prelims |
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