Lloyd-Morgan, Ceridwen. Margiad Evans. Seren.
54
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Margiad Evans | ME
's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren. 54 |
Textual Production | E. Arnot Robertson | EAR
published Summer's Lease, a novel whose epigraph comes from the Shakespeare
sonnet (Shall I compare thee to a summer's day?) which contains the words of its title. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Charlotte Stopes | |
Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
Textual Production | Penelope Shuttle | The first book that affected PS
deeply was Brontë
's Jane Eyre, with whose protagonist she identified. Steffens, Daneet. “Penelope Shuttle”. Mslexia, No. 33, pp. 46-8. 48 |
Textual Production | Carol Ann Duffy | In a volume of poetic responses to Shakespeare
, marking four hundred years since his death, CAD
offered a thoughtful, downbeat response to the well-loved sonnet 116, Let me not to the marriage of true... |
Textual Production | Ruth Rendell | In her novel No More Dying Then (titled from the closing words of a Shakespeare
sonnet), RR
focused on bereavement and reconciliation. British Books in Print. J. Whitaker and Sons. 1973 Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research. 312 |
Textual Production | Elizabeth Jane Howard | EJH
collaborated with Robert Aickman
on We Are for the Dark: Six Ghost Stories, titled from the words of Charmian, handmaid to Shakespeare
's Cleopatra. Howard, Elizabeth Jane. Slipstream. Macmillan. 213 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Ngaio Marsh | NM
's mother
played the witch, and her grandfather Edward William Seager
made a present to her of two theatrical treasures: a book entitled Actors of the [Nineteenth] Century by Frederic White
and a shirt... |
Textual Production | Kate O'Brien | KOB
's first published novel, Without My Cloak, at once established both her public profile and her characteristic subject-matter. It is titled from an image in a Shakespeare
sonnet: the inconsistent lover lures his... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Warwickshire Contemporaries, a collection of biographies which she had written and had already printed separately. Schoenbaum, Samuel. Shakespeare’s Lives. Clarendon Press. 640 |
Textual Production | Marina Warner | MW
published her retelling of Shakespeare
's play The Tempest: a historical novel, Indigo; or, Mapping the Waters. Moseley, Merritt, editor. Dictionary of Literary Biography 194. Gale Research. 194: 286-7 |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Textual Production | Charlotte Despard | CD
published A Modern Iago, A Novel in two volumes (whose very title constitutes an allusion to Shakespeare
, her second in a novel title). British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Georgiana Fullerton | When she was nine or ten years old, Geogiana Leveson-Gower (later GF
) began to write scraps of French verses. Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, R. Bentley and Son. 9 |
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