Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
Textual Production | Margiad Evans | ME
's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren, 1998. 54 |
Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
Textual Features | Bernardine Evaristo | An odd couple on holiday from England (Stanley Williams, his Jamaican immigrant parents' my-son-the-banker, and Jessie O'Donnell, a singer, a foundling raised by nuns in Leeds) drive haphazardly across Europe towards the Middle East... |
Intertextuality and Influence | Catherine Fanshawe | CF
assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise? Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons, 1865. 1 |
Textual Production | Catherine Fanshawe | She also left large watercolour drawings illustrating the Seven Ages of Man in Shakespeare
's As You Like It, and sketchbooks, many of them filled with Italian scenes. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | U. A. Fanthorpe | The title is ironical, the houses concerned being damaged in the blitz, or such famous fictional dwellings as Ibsen
's Doll's House and Dunsinane Castle in Shakespeare
's Macbeth. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 89 |
Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. qtd. in Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 28 |
Intertextuality and Influence | Eleanor Farjeon | These poems of love and separation have echoes of Shakespeare
and Elizabeth Barrett Browning
. British Book News. British Council. (1959): 551 |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Performance of text | Elaine Feinstein | EF
's best-known play, the feminist piece Lear's Daughters, written in collaboration with the Women's Theatre Group
, a prequel revisioning Shakespeare
's story, was staged in London. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Performance of text | Alison Fell | AF
was a constant source of scenes, burlesques, and improvisations for performance by the Women's Liberation Street Theatre Group
. She also wrote for a number of underground or radical papers: Ink, Islington Gutter... |
Textual Features | Eliza Fenwick | For this anthology EF
gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare
and Milton
, as well as more recent and controversial writers like Thomas Chatterton
and Helen Maria Williams
... |
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