Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
Intertextuality and Influence | U. A. Fanthorpe | The title is ironical, the houses concerned being damaged in the blitz, or such famous fictional dwellings as Ibsen
's Doll's House and Dunsinane Castle in Shakespeare
's Macbeth. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 89 |
Intertextuality and Influence | Eleanor Farjeon | These poems of love and separation have echoes of Shakespeare
and Elizabeth Barrett Browning
. British Book News. British Council. (1959): 551 |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Performance of text | Elaine Feinstein | EF
's best-known play, the feminist piece Lear's Daughters, written in collaboration with the Women's Theatre Group
, a prequel revisioning Shakespeare
's story, was staged in London. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Performance of text | Alison Fell | AF
was a constant source of scenes, burlesques, and improvisations for performance by the Women's Liberation Street Theatre Group
. She also wrote for a number of underground or radical papers: Ink, Islington Gutter... |
Textual Features | Eliza Fenwick | For this anthology EF
gathered mostly improving pedagogical material, drawing on revered literary names like Shakespeare
and Milton
, as well as more recent and controversial writers like Thomas Chatterton
and Helen Maria Williams
... |
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. Cullinan, Mary. Susan Ferrier. Twayne. 75 |
Family and Intimate relationships | Michael Field | They took their vow after attending a wedding. Cooper, somewhat abashed at the proceedings, said they swore with the bright world 'round us, that we will remain Poets & Lovers whatever may happen to hinder... |
Literary responses | Michael Field | Edith and Katharine must have also been extremely pleased with the praise they received from the critics. A review in The Spectator heralded a new voice which is likely to be heard far and wide... |
Publishing | Sarah Fielding | She dedicated it to the court lady Anna Maria Poyntz
. It may perhaps be the Book Upon Education Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xxxix |
Intertextuality and Influence | Sarah Fielding | The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with... |
Intertextuality and Influence | Sarah Fielding | This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer
, it is the most feminist among... |
Education | Eva Figes | Eva read the usual children's books, but the great discovery was her first Shakespeare
play, As You Like It. She received this as a present on her ninth birthday and built an imaginative life... |
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