McEvoy, Anne. Conversation about Eavan Boland with Isobel Grundy.
Virgil
Standard Name: Virgil
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ursula K. Le Guin | The first part of the novel relates, with a somewhat different focus, the tale told by Virgil
(in which Lavinia is a non-speaking character); the second reaches beyond that stage of the story. |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Elizabeth B. Lester | The title-page quotes from Sir Francis Bacon
, Virgil
, and Sir Roger L'Estrange
. A preface (written in the third person as he) argues that physiognomy has something in it but deplores the... |
Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) Boland, Eavan. Outside History. Norton. 78-9 |
Intertextuality and Influence | Susanna Haswell Rowson | The title-page quotes Samuel Johnson
asserting that an author has nothing but his own merits to stand or fall on. The Birth of Genius, an irregular ode, offers advice to my son to love... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green . prelims |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
Intertextuality and Influence | Judith Cowper Madan | The poem in its later version, headed with a quotation from Virgil
, opens: Unequal, how shall I the search begin, / Or paint with artless hand the awful scene? Concanen, Matthew, editor. The Flower-Piece. Walthoe. 130 |
Intertextuality and Influence | Edith Templeton | |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Catharine Parr Traill | Many of CPT
's early works were published with the Quaker publishing firm Harvey and Darton
. Peterman sees in these works the influence of Virgil
, Izaak Walton
, Mary Russell Mitford
, and Gilbert White
. New, William H., editor. Dictionary of Literary Biography 99. Gale Research. 332 |
Intertextuality and Influence | Hélène Cixous | HC
underlines her argument by examining myth. The mythical image of Perseus before the Medusa is invoked to describe a male fear of woman, and she calls women the dark region of men's world, saying:... |
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