Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co.
prelims
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
Intertextuality and Influence | Ann Oakley | A Note about the Title explains what she means by Jerusalem: a land we aspire to live in, regardless of the fact that we're unlikely to even make it. Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell. prelims |
Intertextuality and Influence | Ruth Pitter | Pitter lets loose what she calls her bawdy side in On Cats, as well as opening small subjects onto large vistas. Three tomcats in a dark garden, by a dreadful tree, enact a witches'... |
Intertextuality and Influence | Evelyn Sharp | She opens with a disquisition on herself as being not a good traveller: easily seasick, not brave, and lacking a sense of direction. However, she says, her reminiscences are selected, to leap over the intervening... |
Intertextuality and Influence | Constance Smedley | Jessica and her younger brother, Edgar, both respond with ecstasy to an offer to borrow books they have not already read (William Morris
, William Blake
, [a]nd people I don't know; and books... |
Intertextuality and Influence | Sylvia Kantaris | The final spin is represented by 8 Home-Computer Terminal, which concludes with a startling evocation of Blake
: Rose, thou art sick; a fatal error bugs thy memory banks.SK
's website demonstrates (as... |
Intertextuality and Influence | Constance Smedley | By now Samuel is changing. He likens Johanna to Blake
, whom she has quoted, though he has hitherto admired the balance and rationality of Addison
. Smedley, Constance. Justice Walk. G. Allen and Unwin. 136, 249 |
Intertextuality and Influence | Marie Corelli | R. B. Kershner, Jr.
(a James Joyce
scholar) points out that Joyce read The Sorrows of Satan in 1905 and that the novel has a number of elements that [he] adapts to the form and... |
Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 193 |
Intertextuality and Influence | Sophia King | The contents are part new, part reprinted. SK
notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in... |
Leisure and Society | Mary Brunton | As tourists MB
and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended... |
Leisure and Society | A. S. Byatt | ASB
later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake
. One of her seminal experiences... |
Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages. 33 Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable. 245, 252-56 |
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