McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press.
193
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Margaret Atwood | The Cranbrook Academy of Art
at Bloomfield Hills, Michigan, began in 1964 to issue MA
's portfolios jointly produced with artist Charles Pachter
. In 1966 it published fifteen copies each of: Speeches for... |
Intertextuality and Influence | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 193 |
Literary responses | L. S. Bevington | Unlike LSB
's first volume of poetry, this achieved some success in literary circles while it was largely ignored by the scientific community. Miles, Alfred H., editor. The Poets and the Poetry of the Nineteenth Century. AMS Press. 9: 228 |
Textual Features | Elizabeth Bishop | The volume reproduces in facsimile no fewer than sixteen drafts of one of EB
's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker. White, Gillian. “Awful but Cheerful”. London Review of Books, pp. 8-10. 10 |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
Leisure and Society | Mary Brunton | As tourists MB
and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended... |
Cultural formation | Mary Butts | |
Textual Production | Mary Butts | This account of her life from childhood to the age of twenty takes its title from a poem by William Blake
. The poem's speaker is caught by a Maiden while dancing in the wild... |
Theme or Topic Treated in Text | Mary Butts | Early in the memoir, she discusses her family's relationship with William Blake
and the influence of his art on her life. She claims that just one of his artistic works possessed her, and its hold... |
Family and Intimate relationships | Mary Butts | His forebears had strong links with the artistic world. While he himself was a friend of the Pre-Raphaelite artist Dante Gabriel Rossetti
, Mary's great-grandfather, Captain Thomas Butts
, had been a patron of William Blake |
Leisure and Society | A. S. Byatt | ASB
later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake
. One of her seminal experiences... |
Reception | Dora Carrington | |
Literary responses | Leonora Carrington | In her 2017 assessment Marina Warner
likens the text, as a testament to the horrors of psychosis and convulsive drug therapy that is split between visionary illumination and profound psychological distress, to such writing as... |
Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages. 33 Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable. 245, 252-56 |