Ezra Pound

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Standard Name: Pound, Ezra
EP , American poet, critic, editor, translator, and key figure in the literary modernist movement, lived in London from 1908 to 1921, in Paris from 1921 to 1924, and then in Italy until the end of the Second World War. His vociferous, antisemitic support for Italian fascism earned him thirteen years in a US hospital for the criminally insane. He worked from 1917 until near the end of his life on his massive and generically multiple epic poem Cantos, which he published in serial fragments.

Connections

Connections Author name Sort ascending Excerpt
Occupation Wyndham Lewis
WL was an avant-garde painter and writer. His paintings were shown in the second Post-Impressionist exhibit, held in London in 1912, and for a time he worked with Roger Fry and the Omega Workshops ...
Theme or Topic Treated in Text Wyndham Lewis
He examines the work of Gertrude Stein (whom he counsels to get out of english) and popular writer Anita Loos (Gentlemen Prefer Blondes), as well as Bergson , Einstein , Pound , Joyce , and others.
Oldsey, Bernard Stanley, editor. Dictionary of Literary Biography 15. Gale Research.
313
Family and Intimate relationships Q. D. Leavis
Though both husband and wife were to influential, F. R. Leavis became one of the leading literary critics of the twentieth century. A dynamic speaker and teacher, he was known for his uncompromising, exclusive, often...
Textual Production Q. D. Leavis
This suggests that QDL had some part in F. R. Leavis's domination of the teaching of English at Cambridge (through ideas linked to the schools of Practical Criticism and New Criticism), with his published works...
Leisure and Society Philip Larkin
PL loved cricket, photography, and jazz. His tastes in jazz, as in literature and art, were explicitly anti-modernist (he linked together, as merely diverting, Parker , Pound or Picasso), but perhaps more flexible and...
Textual Features Philip Larkin
His selection was resolutely unfashionable, favouring Hardy and Betjeman at the expense of Eliot and Pound . He was, however, remarkably generous in his selection of women poets (often for just one or two poems...
Literary responses James Joyce
T. S. Eliot praised the book in the Athenæum for 4 July 1919; Ezra Pound wrote to Joyce that Bloom is a great man; Virginia Woolf wrote in her diary that the book reeled...
Friends, Associates Violet Hunt
VH entertained here frequently: her sometimes piquantly mixed invitation lists included the names of H. D. , D. H. Lawrence , Ezra Pound , Joseph Conrad , Wyndham Lewis , Walter de la Mare ...
Leisure and Society Violet Hunt
Among les jeunes at VH 's home was Vorticist artist Henri Gaudier-Brzeska , whose well-known phallic sculpture, Hieratic Head of Ezra Pound, being too heavy to be moved to exhibitions, was left for a...
Theme or Topic Treated in Text Nina Hamnett
This book is highly readable: its fast-paced, witty narrative conducted in short sentences with few dates and even less of explanation or embroidery. NH is positively off-hand about such important topics as her early relations...
Cultural formation H. D.
HD's interest in spiritualism is perhaps traceable to her Moravian background as well as to the yogi books given to her by Ezra Pound when she was a teenager. During the Second World War she...
Textual Production H. D.
In autumn 1912 Hilda Doolittle and her new friend Richard Aldington together showed Ezra Pound some of their collaborative translations from the Greek Anthology.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Literary responses H. D.
Pound was particularly impressed with HD's work in 1912. He dubbed her on the spot with her own initials as a nom de plume, identified her as the Imagist figurehead, and set out to get...
Literary responses H. D.
Ezra Pound dismissed HD's comment on Moore by saying that she could not write criticism. His own critique of Moore came two years later, and is often mentioned as if it had been the earliest...
Literary responses H. D.
HD's prose fictions met with less critical success than the poetry which she had published hitherto. Their word-play, symbolic structures, and manipulation of myth were seen as arbitrary, as distractions from rather than as elements...

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