Women’s Writing in the British Isles from the Beginnings to the Present
Edward George Earle Lytton Bulwer-Lytton, first Baron Lytton
-
Standard Name: Lytton, Edward George Earle Lytton Bulwer-Lytton,,, first Baron
Birth Name: Edward George Earle Bulwer
Self-constructed Name: Edward George Earle Bulwer-Lytton
Titled: Edward George Earle Bulwer-Lytton, first Baron Lytton
Edward George Bulwer-Lytton
, who began his prolific career as Edward Bulwer, wrote many kinds of novels—from the silver-fork genre (whose name derived from a derisive reference to Bulwer himself as a silver fork polisher
Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press.
103
in Fraser's Magazine ) and domestic fiction to crime or Newgate
novels (the forerunner of sensation fiction), science fiction, and occult stories. He also wrote three plays, several books of poetry, and an Arthurian epic, as well as editing The New Monthly Magazine from 1831 to 1833.
Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press.
The August 1831 review in Fraser's Magazine, possibly penned by Irish writer William Maginn
, accused AMH
of plagiarism—claiming that her story The Rapparee was uncomfortably similar to Bulwer Lytton
's Paul Clifford.
Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe.
8, 234
Intertextuality and Influence
Catherine Gore
In an extraordinary passage near the end of the book, Cecil lists a number of people who might, if they could only work together, revolutionize the country.
Farrell, John P. “Toward a New History of Fiction: The Wolff Collection and the Example of Mrs. Gore”. The Library Chronicle of the University of Texas at Austin, Vol.
Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber.
303-4
Publishing
Margaret Fuller
This was followed by a review, in the August issue, of the novels of Edward Bulwer (later Bulwer-Lytton)
(which she put forward as worth examining because of their moral qualities). Further essays by MF
appeared...
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press.
Friends, Associates
Violet Fane
Her father had literary friends, and among them introduced her to Edward Bulwer-Lytton
(probably the father rather than the son
), Edward FitzGerald
, and George Borrow
.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Literary responses
George Eliot
On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever
Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble.
131
), but the ending of The Mill on the Floss...
Literary responses
George Eliot
Many friends of GE
including Edith J. Simcox
, plus biographers such as Gordon S. Haight
, believed that readers had reason to be grateful to G. H. Lewes
for his tireless protection of GE
Birth
Edward Robert Bulwer Lytton, first Earl Lytton
The future diplomat and poet Edward Robert Bulwer (later Bulwer Lytton
, who also used the pseudonym Owen Meredith) was born in London, the younger child of writers Rosina
and Edward Bulwer (later Bulwer Lytton)
.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Family and Intimate relationships
Edward Robert Bulwer Lytton, first Earl Lytton
His mother was the novelist Rosina Bulwer Lytton
. Her often violent marriage to Edward Bulwer Lytton
ended in a very public separation. While she initially retained custody of their two children, Emily and young...
Family and Intimate relationships
Edward Robert Bulwer Lytton, first Earl Lytton
His father, Edward Bulwer Lytton
, was a novelist and politician.
Occupation
Edward Robert Bulwer Lytton, first Earl Lytton
Edward Robert Bulwer Lytton
made a life for himself as both diplomat and writer. His first book of poems, Clytemnestra, The Earl's Return, The Artist, and Other Poems, appeared in 1855 under the pseudonym...
Publishing
Charles Dickens
Serialisation in monthly parts significantly broadened the readership of The Pickwick Papers and meant that it was reviewed more widely than it would have been in volume form. Ironically, such cheapening of literature (CD