Cable, Mildred, and Francesca French. Something Happened. Hodder and Stoughton.
110
Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | Mildred Cable | The first three chapters are devoted to each individual woman, while the fourth describes their coming together into a three-fold cord, which could not easily be broken. Cable, Mildred, and Francesca French. Something Happened. Hodder and Stoughton. 110 This image refers to a passage in... |
Intertextuality and Influence | Medbh McGuckian | This collection is much concerned with women's experience. MMG
both follows and diverges from W. B. Yeats
in writing prayers for her daughter. |
Intertextuality and Influence | Jennifer Johnston | JJ
says, I don't plan my writing; I just sit down and listen to the voices. This makes it sound easy. It is not. Moloney, Caitriona et al. Irish Women Writers Speak Out: Voices From the Field. Syracuse University Press. 67 |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Jane Francesca, Lady Wilde | JFLW
gave two different accounts of what had made her a poet. In one, it was reading The Nation's Valentine, To the Ladies of Ireland, in which Richard D'Alton Williams
urged Irishwomen to sing... |
Intertextuality and Influence | Naomi Mitchison | The action takes place among Celtic tribes between 58 and 51 BC (with a coda set five years later). It opens in what is now the Auvergne, newly invaded and occupied by the Roman... |
Intertextuality and Influence | Florence Farr | Late in her career FF
published a second novel, The Solemnization of Jacklin: Some Adventures on the Search for Reality, whose heroine gives birth to a mystical child derived from the writing of Yeats
. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe. 177 D’Arch Smith, Timothy, and Florence Farr. “Introduction”. Egyptian Magic, Aquarian Press, p. ix - xvii. xvi Litz, A. Walton. “Florence Farr: A ’Transitional’ Woman”. High and Low Moderns: Literature and Culture, 1889-1939, edited by Maria DiBattista and Lucy McDiarmid, Oxford University Press, pp. 85-106. 86 |
Intertextuality and Influence | Edith Lyttelton | Its chapters include Symbols and their Use, Mind Pictures, Dreams, and Knowledge of Future Events. The latter contains a discussion of foreknowledge in automatic writing and utterance, using the example of... |
Intertextuality and Influence | Katharine Tynan | KT
later felt this was a very-much derived little volume. Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 Fallon, Ann Connerton. Katharine Tynan. Twayne. 37 Boyd, Ernest. Ireland’s Literary Renaissance. Grant Richards. 103 |
Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
Intertextuality and Influence | Sylvia Kantaris | Other poems are self-referential examinations of poetry and writing. The Recluse describes the inability of the contemporary poet to present in verse (like the unnamed William Wordsworth
) the rustic tale of a chance-met old... |
Intertextuality and Influence | Eva Mary Bell | Mary finds her life's work in India. Arriving in Delhi is a landmark in her life, as arriving in Baghdad was before. She works with an older woman named Alice Norman, widow of a British... |
Intertextuality and Influence | Adrienne Rich | While revolutionising her life and poetic practice, making them woman-centred, Rich continued in dialogue with the words and ideas of male writers. In learning how poetry can root itself in politics she was learning from... |
Intertextuality and Influence | G. B. Stern | While in her teens GBS
composed two one-act Waiferage plays. The heroine of one, a lonely understudy in a fifth-rate touring company, worships the leading man from afar and feels ecstatic when the leading lady... |
Intertextuality and Influence | Constance Holme | The title-page quotes W. B. Yeats
: Tread softly, because you tread on my dreams. Holme, Constance. Crump Folk Going Home. Cedric Chivers. title-page |
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