Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Anna Atkins | She gives her chapters epigraphs, many of them eighteenth-century: the Memoirs of Cardinal de Retz, quoted in French on the title-page and to open volume three; Molière
and Pope
's Rape of the Lock... |
Intertextuality and Influence | Sydney Owenson, Lady Morgan | Morgan lashed back with gusto at the hired agents of the authorities who had attacked her private character, my person, my principles, my country, my friends, my kindred, and even my dress. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 179 |
Intertextuality and Influence | Anna Jane Vardill | Her Attic Chest poems have an erudite flavour. She replies to Anacreon
, writes A New Epistle from Sappho
to Phaon, and signs other poems Aulus Gellius
(author of the Latin Attic Nights)... |
Intertextuality and Influence | Mary Latter | The poem is in octosyllabics (or, considering the many feminine endings, in the hudibrastics of Samuel Butler
). After an opening address to the conventionally starving and scruffy nameless Grubstreet Muses!, Latter, Mary. Liberty and Interest. James Fletcher. 1 |
Intertextuality and Influence | Eleanor Anne Porden | The poem concerns a a medieval knight and lady centred on a castle: a tale presented as emerging from a real-life story about a young lady, a Miss Denman, whose veil blew off on a... |
Intertextuality and Influence | Medora Gordon Byron | Alexander Pope
is quoted on the title-page (An Essay on Criticism), James Thomson
at the head of the first chapter, John Langhorne
for another chapter. The novel opens in the new style of... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Intertextuality and Influence | Ann Wall | This extraordinary narrative of abuse by her father sounds almost incredible, yet its subject-matter is not parallelled by that of any work of contemporary fiction. AW
proves her literary entitlement by quoting Pope
and the... |
Intertextuality and Influence | Susanna Blamire | Her work reveals, without ostensibly displaying, a close acquaintance with the tradition of English poetry, to which she deliberately relates herself. For instance, a poem entitled May not the Love of Praise be an Incentive... |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Intertextuality and Influence | Virginia Woolf | The new, female Orlando (though his gender has always been subject to hints and dubious suggestions) is essentially unchanged—in identity if not in future. After an interlude among the gipsies, Orlando's new status as an... |
Intertextuality and Influence | Penelope Aubin | PA
's preface attacks the abominable Writings of the freethinker John Toland Welham, Debbie. “The Political Afterlife of Resentment in Penelope Aubin’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Life and Amorous Adventures of Lucinda</span> (1721)”. Women’s Writing, Vol. 20 , No. 1, pp. 49-63. 52 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
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