Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
211-12, 213
Alexander Pope
-
Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Mrs Martin | Her preface says that she cannot (like one of Pope
's dunces) plead request of friends as an excuse for publishing. She explains that she planned her work in the course of rambling through the... |
| Textual Production | Eliza Haywood | The second volume followed on 26 October 1725. Both were published at Dublin as well; both apparently circulated in manuscript before publication. Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press. 88 |
| Textual Production | Elizabeth Thomas | Curll
published one of the many prose attacks on Pope
, who at once concluded it was written by Baines, Paul, and Pat Rogers. Edmund Curll, Bookseller. Clarendon Press. 196 Mills, Rebecca. "Thanks for that Elegant Defense": Polemical Prose and Poetry by Women in the Early Eighteenth Century. Oxford University. 128 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
| Textual Production | Ella Hepworth Dixon | It was titled after Alexander Pope
(the moving toyshop of the heart, when a toyshop stocked fashionable stuff for adults) in a line later near-echoed by W. B. Yeats
. This performance, at a... |
| Textual Production | Elizabeth Singer Rowe | Pope
published in the second edition of his Eloisa to Abelard (postdated 1720) a poem addressed to him by ESR
, and her elegy on her husband
. Griffith, Reginald Harvey. Alexander Pope: A Bibliography. University of Texas Press. 1: 84 Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press. 49-51, 518n35 |
| Textual Production | Mary Masters | MM
published by subscription her Poems on Several Occasions: the first volume of poems in English by a woman to be issued this way. Her surviving letters show that she put a lot of... |
| Textual Production | Doreen Wallace | |
| Textual Production | Eliza Haywood | It is not clear whether a first edition was published and read out of existence; in any case, no known copy survives. It may be that the collection's first appearance was the one called the... |
| Textual Production | Lady Mary Wortley Montagu | These poems have been linked since first publication with the names of Pope
and Gay
. But there are many reasons to think that the contributions of these two were far smaller than has been... |
| Textual Production | Judith Cowper Madan | The Family Miscellany, collected and transcribed by JCM
's brother Ashley Cowper
, dated 1747 and now British Library
MS Add. 28,101, includes plenty of poems by Ashley himself and plenty more ascribed to... |
| Textual Production | Mary Stockdale | |
| Textual Production | Helen Craik | A manuscript of HC
's collected poems has been mentioned, but has not been traced. Burns, Robert. The Poetry of Robert Burns. Editors Henley, William Ernest and Thomas F. Henderson, Caxton . 373 |
| Textual Production | Lady Mary Wortley Montagu | These poems were three of the six eclogues (one for each weekday) preserved in the poetry album which Montagu claimed as her own, and printed as Six Town Eclogues in 1747. Monday, the first... |
| Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats. prelims |
| Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby. title-page Feminist Companion Archive. |
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