Latter, Mary. Pro & Con. T. Lowndes.
31-2
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Intertextuality and Influence | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Intertextuality and Influence | Susanna Blamire | Her work reveals, without ostensibly displaying, a close acquaintance with the tradition of English poetry, to which she deliberately relates herself. For instance, a poem entitled May not the Love of Praise be an Incentive... |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Intertextuality and Influence | Susanna Watts | At the outset the sisters are faced with the big question about slavery: What can I do for the cause? Watts, Susanna. The Humming Bird. I. Cockshaw. 4 |
Intertextuality and Influence | Penelope Aubin | PA
's preface attacks the abominable Writings of the freethinker John Toland Welham, Debbie. “The Political Afterlife of Resentment in Penelope Aubin’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Life and Amorous Adventures of Lucinda</span> (1721)”. Women’s Writing, Vol. 20 , No. 1, pp. 49-63. 52 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Judith Sargent Murray | In the essay as printed, she begins by asking whether nature can really have designed the two human sexes so unequally as is generally believed. Even the faults of which women stand accused—following fashion, inventing... |
Intertextuality and Influence | Marguerite Gardiner, Countess of Blessington | The fictitious narrator begins by observing that while some may consider the story of someone of her station devoid of interest, she has been in contact all her life with cultivated ladies of the highest... |
Intertextuality and Influence | Elizabeth Cooper | She notes that poets have lived difficult and unappreciated lives, and that many have been forgotten. Quoting a remark by Pope
(that time, which has made Chaucer
unintelligible, will one day do the same with... |
Intertextuality and Influence | Mary Deverell | |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
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