Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Anna Atkins | She gives her chapters epigraphs, many of them eighteenth-century: the Memoirs of Cardinal de Retz, quoted in French on the title-page and to open volume three; Molière
and Pope
's Rape of the Lock... |
Intertextuality and Influence | Melesina Trench | A note in Campaspe confesses that the subject of the title-poem is over-ambitious. It is an allegory in which Alexander the Great
(representing Glory) resigns Campaspe (representing Beauty) to Apelles
the sculptor (Genius). This piece... |
Intertextuality and Influence | Sydney Owenson, Lady Morgan | Morgan lashed back with gusto at the hired agents of the authorities who had attacked her private character, my person, my principles, my country, my friends, my kindred, and even my dress. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 179 |
Intertextuality and Influence | Mary Latter | The poem is in octosyllabics (or, considering the many feminine endings, in the hudibrastics of Samuel Butler
). After an opening address to the conventionally starving and scruffy nameless Grubstreet Muses!, Latter, Mary. Liberty and Interest. James Fletcher. 1 |
Intertextuality and Influence | Eleanor Anne Porden | The poem concerns a a medieval knight and lady centred on a castle: a tale presented as emerging from a real-life story about a young lady, a Miss Denman, whose veil blew off on a... |
Intertextuality and Influence | Medora Gordon Byron | Alexander Pope
is quoted on the title-page (An Essay on Criticism), James Thomson
at the head of the first chapter, John Langhorne
for another chapter. The novel opens in the new style of... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Intertextuality and Influence | Catharine Trotter | The negative influence of CT
's marriage on her career was very considerable. Years later, in a letter significantly addressed to the greatest writer of the age (that is Alexander Pope
), which it seems... |
Intertextuality and Influence | Susanna Blamire | Her work reveals, without ostensibly displaying, a close acquaintance with the tradition of English poetry, to which she deliberately relates herself. For instance, a poem entitled May not the Love of Praise be an Incentive... |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Intertextuality and Influence | Penelope Aubin | PA
's preface attacks the abominable Writings of the freethinker John Toland Welham, Debbie. “The Political Afterlife of Resentment in Penelope Aubin’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Life and Amorous Adventures of Lucinda</span> (1721)”. Women’s Writing, Vol. 20 , No. 1, pp. 49-63. 52 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
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