Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | G. B. Stern | GBS
opens the second Austen book with an amusing account of an interview with a seventeen-and-a-half-year-old niece who relates how she has fallen seriously in love with a dashing army officer who is her ideal... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Cassandra Cooke | The Critical Review offered a plot-summary of Battleridge and said that the grasp of seventeenth-century manners was good, but the work is not very amusing; and, in point of composition, it is despicable. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 778 |
Intertextuality and Influence | Patricia Beer | This collection shows a deliberate inclination towards subjects whose strangeness startles the reader with an unexpected perspective. The title of the book is a phrase applied to the audience in Concert at Long Melford Church... |
Intertextuality and Influence | Catherine Gore | Her topic here is the social complications that arise when a wife, unusually, has her own independent income. Vargo, Lisa. “Lodore and the Novel of Society”. Womens Writing, Vol. 6 , No. 3, 1999, pp. 425-40. 435 |
Intertextuality and Influence | Barbara Pym | The central characters here are Jane Cleveland, a kindly and somewhat fey Oxford
don, and Prudence Bates, Jane's former student and surrogate daughter. Jane's main preoccupation is matchmaking for Prudence: she likens herself not only... |
Intertextuality and Influence | L. E. L. | The story opens with a situation borrowed from Jane Austen
's Pride and Prejudice: a mother desperate to get five daughters safely married because the family estate is entailed away in default of a... |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | U. A. Fanthorpe | With this volume, says UAF
, I entered the different world of S. Martin's, Lancaster, and of France; and I was just beginning to have things to say about the condition of women... |
Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
Intertextuality and Influence | Angela Carter | The opening parodies that of Austen
's Emma. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 207 |
Intertextuality and Influence | Elizabeth Taylor | As a child Betty Coles (later ET
) wrote plays (with very short scenes each demanding a new and elaborate setting) and stories. She said she always wanted to be a novelist. qtd. in Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 2 |
Intertextuality and Influence | Molly Keane | This, like Good Behaviour, is a black comedy set in a crumbling Anglo-Irishbig house, Durraghglass. Unlike Good Behaviour it sets its protagonist family (of the same generation as Aroon St Charles) in... |
Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
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