Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Angela Carter | The opening parodies that of Austen
's Emma. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 207 |
| Intertextuality and Influence | Elizabeth Taylor | As a child Betty Coles (later ET
) wrote plays (with very short scenes each demanding a new and elaborate setting) and stories. She said she always wanted to be a novelist. qtd. in Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 2 |
| Intertextuality and Influence | Penelope Lively | Some stories are neatly turned but may seem a little perfunctory, like Abroad, about entitled young people, or Mrs Bennet after Austen
's character, about the continuing pressure for girls to marry or for... |
| Intertextuality and Influence | Stella Benson | For a period of time after Goodbye, Stranger, SB
did very little writing but a great deal of reading, including the novels of Jane Austen
. She said she felt extremely middle-aged qtd. in Bedell, R. Meredith. Stella Benson. Twayne, 1983. 11 |
| Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
| Intertextuality and Influence | E. B. C. Jones | The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be... |
| Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
| Intertextuality and Influence | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
| Intertextuality and Influence | Elizabeth Jane Howard | Before beginning this novel she asked the advice of her stepson Martin Amis
to help her choose between this and a present-day version of Austen
's Sense and Sensibility. He opted unhesitatingly for the... |
| Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
| Intertextuality and Influence | P. D. James | PDJ
followed the English tradition of detective-story writing that has continued from the 1920s and 1930s, a genre in which many women have held dominant positions. She spoke of her adolescent reading as influenced in... |
| Intertextuality and Influence | Stella Gibbons | The plot opens when the young, urban, highly civilised, bossy London heroine, Flora Poste, decides (when her parents die leaving her an unexpectedly small income) to live off her exaggeratedly rustic Sussex relations. (Flora admires... |
| Intertextuality and Influence | Emily Eden | EE
's preface explains that she first set this novel in what was then the present day: the pre-Reform-Bill, pre-railway era. She did not wish to update it in revising, so it is now set... |
| Intertextuality and Influence | Elizabeth Strutt | Influence of Frances Burney
's Evelina is perceptible here, and influence of Jane Austen
seems at least a possibility: a family estate is named Maple Grove, as in Emma, and the heroine's marriage to... |
| Intertextuality and Influence | Beatrix Potter |
Timeline
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Texts
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