Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Frances Brooke | She thought it had been too long, with too little plot, and that the subscription method had not been to its benefit. Critic Juliet McMaster
believes that Jane Austen
had Emily Montague in mind in... |
Intertextuality and Influence | Frances Eleanor Trollope | It begins by relaying the story of Augustus Cheffington, whose marriage below his rank to Susan Dobbs is blamed for his inability to secure himself the respect of proper society or a position in the... |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley, 1845. title-page |
Intertextuality and Influence | Angela Carter | The opening parodies that of Austen
's Emma. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 207 |
Intertextuality and Influence | Elizabeth Taylor | As a child Betty Coles (later ET
) wrote plays (with very short scenes each demanding a new and elaborate setting) and stories. She said she always wanted to be a novelist. qtd. in Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 2 |
Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
Intertextuality and Influence | Hannah More | Harriet Corp
also responded, in 1817, with Coelebs Deceived, which opens with respectful critical dialogue about More's novel; but Corp's middle-aged protagonist finally decides to stay single. Mary Waldron
suggests that Jane Austen
's... |
Intertextuality and Influence | Stella Benson | For a period of time after Goodbye, Stranger, SB
did very little writing but a great deal of reading, including the novels of Jane Austen
. She said she felt extremely middle-aged qtd. in Bedell, R. Meredith. Stella Benson. Twayne, 1983. 11 |
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
Intertextuality and Influence | Ruth Prawer Jhabvala | The film shows the play being auctioned, and bought by an Off-Broadway group who produce it in Absurdist style. While they work at it, period motifs in the plot (notably the abduction of Harriet Byron)... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Sydney Owenson Lady Morgan | These provided the pattern for Thomas Moore
's very fashionable Irish Melodies. Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 62 |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | Viola Meynell | VM
moves away from theological influence here, as her prose becomes dispassionate and satiric. This novel lacks plot interest; its strength lies in its emotional texture.In a manner that has been likened to Jane Austen |
Intertextuality and Influence | Frances Sarah Hoey | Miriam finds local gossip that Florence is attempting to entrap her father ludicrous, and describes it as a comic parallel to Vanity Fair, with Florence not as Becky Sharp but as Amelia having to... |
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