Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster.
56
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Fanny Kemble | FK
met her future husband and tormentor during the American tour, in Philadelphia, on 13 October 1832. He saw her perform, and courted her. She professed herself initially uninterested in his suit. Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster. 56 Foner, Eric. “I just get my pistol and shoot him right down”. London Review of Books, Vol. 40 , No. 6, pp. 25-6. 25 |
Friends, Associates | Anna Wheeler | His fuller description (in a letter to his sister) was not so pleasant, something between Jeremy Bentham
and Meg Merrilies, very clever, but awfully revolutionary. Disraeli, Benjamin. Lord Beaconsfield’s Correspondence With His Sister 1832-1852. John Murray. 15 Meg Merrilies was a fictitious gipsy in a poem... |
Friends, Associates | Jane Porter | While living in Esher, the Porter family were neighbours of Prince Leopold
, resident of Claremont and widower of Princess Charlotte (who died in 1817); their mother used to receive gifts of game and fruit... |
Friends, Associates | Charles Cowden Clarke | CCC
was an important early friend of John Keats
. He also formed friendships with Leigh Hunt
, Douglas Jerrold
, Charles
and Mary Lamb
, and Charles Dickens
. Most of these friendships were... |
Friends, Associates | Mary Cowden Clarke | MCC
's parents frequently entertained eminent literary figures in a drawing-room where the paintings were all executed by distinguished friends. At an early age she became acquainted with Charles
and Mary Lamb
, Leigh Hunt |
Friends, Associates | Edna St Vincent Millay | One of ESVM
's close friends was the poet and novelist Elinor Wylie
. Wylie visited Steepletop with her husband in 1927 and the two poets discussed and sometimes disagreed about Shelley
and Keats
and... |
Intertextuality and Influence | Philip Larkin | As an undergraduate Larkin was naturally still finding his voice. One poem dating from probably 1943 has its title and its lesbian topic from Charles Baudelaire
: Femmes Damnées. Larkin's poem of this title... |
Intertextuality and Influence | Anne Bannerman | The volume was well reviewed, and poems were reprinted in two magazines. Literary commentators like Thomas Park
, Joseph Cooper Walker
, and Joseph Martin
, assured Robert Anderson
of their admiration. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 131 and n28 |
Intertextuality and Influence | Nan Shepherd | NS
's foreword mentions a great deal that has happened in the thirty years since this book was written, although those years are the flicker of an eyelid in the life of a mountain: the... |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Ali Smith | Autumn centres around the intergenerational friendship of 32-year-old art-history lecturer Elisabeth Demand and her childhood neighbour, the clever and lively Daniel Gluck, now 101 years old and quietly existing in a care home. Through silent... |
Intertextuality and Influence | Helen Dunmore | HD
's many other writings include reviews (of both poetry and fiction), introductions (to the poems of Emily Brontë
, the stories of D. H. Lawrence
and F. Scott Fitzgerald
, and a study of... |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7. F7 |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Intertextuality and Influence | Joanna Cannan | Alison Dunbar, lonely among her fashion-conscious and shopping-mad schoolmates, begins writing her pony story in exercise books (as was Cannan's own habit) and attains the apotheosis of acceptance by a publisher. She also sheds the... |
No timeline events available.
No bibliographical results available.