Warner, Sylvia Townsend. “Editorial Materials”. Sylvia Townsend Warner: Collected Poems, edited by Claire Harman, Carcanet New Press, pp. xi - xxiii; 275.
xviii
Connections Sort descending | Author name | Excerpt |
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Textual Features | Adrienne Rich | |
Textual Features | A. Mary F. Robinson | |
Textual Features | Sylvia Townsend Warner | One poem, Wish in Spring, opposes Keats
's notion that writing poetry comes naturally: STW
points out that it is a difficult activity which takes great care. Warner, Sylvia Townsend. “Editorial Materials”. Sylvia Townsend Warner: Collected Poems, edited by Claire Harman, Carcanet New Press, pp. xi - xxiii; 275. xviii |
Textual Features | Carol Ann Duffy | Titled simply September 2014 and headed with a Gaelic greeting that translates as I love you, this short poem highlights the shared prickliness of the two national symbols and the pilgrimage of an English... |
Textual Features | Augusta Webster | Like much of AW
's later poetry, this inaugural volume shows the influence of Alfred Tennyson
and Elizabeth Barrett Browning
, as well as earlier poets such as John Keats
. Many poems here, including... |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Features | Maureen Duffy | Dates given to poems in the volume range from August 1970 to December 1978. Duffy, Maureen. Memorials of the Quick and the Dead. Hamish Hamilton. 64, 85 |
Textual Features | Vernon Lee | Set in the fictional German Duchy of Luna and beginning in about 1701, this story is centred on the orphaned Prince Alberic and his fascination with two apparitions which are clearly linked: a sympathetic serpent... |
Textual Production | Eleanor Farjeon | The title (shamelessly re-used by verse anthologists working after EF
) is a quotation from Keats
's Ode to a Nightingale, where the magic windows open on the foam / Of perilous seas, in... |
Textual Production | Barbara Pym | BP
published the last novel of her lifetime, The Sweet Dove Died. The title implies, in a manner both sentimental and canonical, death in captivity. (In this it hearkens back to the title of... |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Margaret Drabble | Again the title names an imaginary place: it is the phrase which Keats
applies to the territory of poetry in Upon First Looking into Chapman's Homer. It also suggests the heroine's work as an... |
Textual Production | Mary Augusta Ward | MAW
planned her next novel as a much weightier study of the intellectual impact of historical thought on conventional faith; it was deeply influenced by the intellectual milieu of Oxford and the histories of her... |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
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