Crossley-Seymour, Aaron, and Charlotte Brooke. “A Memoir of Miss Brooke”. Reliques of Irish Poetry, J. Christie, 1816, p. 1: iii - cxxviii.
xxi
Joseph C. Walker
Standard Name: Walker, Joseph C.
Used Form: Joseph Cooper Walker
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Friends, Associates | Charlotte Brooke | At this time Henry Brooke was having some success with his plays, and Charlotte frequently enjoyed the society of several eminent literary characters, according to her somewhat wordy first biographer. |
| Friends, Associates | Charlotte Brooke | Apart from Joseph C. Walker
, the early friend who became the first person to publish her, CB
carried on an amicable correspondence with Thomas Percy
, whose project of conserving English ballads parallelled her... |
| Friends, Associates | Charlotte Smith | CS
got to know the Rev. Joseph Cooper Walker
through his help in arranging a Dublin edition of The Old Manor House. They shared an epistolary relationship based on business and confidential domestic matters... |
| Friends, Associates | Clara Reeve | Among her friends were Martha Bridgen
(daughter of Samuel Richardson
), Thomas Percy
, and Joseph Cooper Walker Trainer, James, and Clara Reeve. “Introduction”. The Old English Baron, Oxford University Press, 1977. xviii Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Intertextuality and Influence | Charlotte Brooke | CB
was warmly appreciated in Ireland. She influenced there a parallel effort to preserve traditional music as she had preserved traditional words: that of Edward Bunting
, who edited in 1796 the first volume... |
| Literary responses | Anne Bannerman | The volume was well reviewed, and poems were reprinted in two magazines. Literary commentators like Thomas Park
, Joseph Cooper Walker
, and Joseph Martin
, assured Robert Anderson
of their admiration. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 131 and n28 |
| Textual Features | Charlotte Smith | These letters include plenty to family and friends; most notable are those to her publishers, a whole series of them. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 207 |
| Textual Production | Charlotte Brooke | She began her project as a money-earning one, but was later able to declare that the proceeds would go to charity. A further motive was patriotic and nationalistic: to counter the English (even, sometimes, the... |
| Textual Production | Mary Tighe | MT
wrote to her friend Joseph Cooper Walker
that she had had a narrow escape: she had almost published Psyche, together with a volume of smaller poems (which must have been Verses Transcribed for... |
| Textual Production | Clara Reeve | In old age, looking back at a lifetime of writing designed to support moral, political, and literary good causes as well as to earn her money, CR
supposed that she would burn the several drawers... |
| Textual Production | Anne Bannerman | This combines the contents of her two earlier publications and her contributions to The Poetical Register and to Joseph Cooper Walker
's literary history. AB
had feared in 1805 that she did not know enough... |
| Textual Production | Anne Bannerman | AB
contributed translations from Politiano
and Antonio Allamanni
to Joseph Cooper Walker
's A Historical and Critical Essay on the Revival of the Drama in Italy, 1805. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 131 and n30 |
| Textual Production | Charlotte Brooke | CB
contributed anonymous translations of Irish poems to Historical Memoirs of the Irish Bards, edited by Joseph C. Walker
. Ashley, Leonard R. N. et al. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, 1970, p. v - xv. vi |
Timeline
No timeline events available.
Texts
Walker, Joseph C. Historical Memoirs of the Irish Bards. Printed for the author by Luke White, 1786.