Critical Review. W. Simpkin and R. Marshall.
2nd ser. 16 (1796): 209
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Wollstonecraft | The Critical Review noticed this as the interesting, well realised work of an author already known to the public as an ingenious writer, though not always correct either in her sentiments or her style. Critical Review. W. Simpkin and R. Marshall. 2nd ser. 16 (1796): 209 |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Elizabeth Strutt | Women, says ES
, must be essentially equal with men since both are made in God's image. But women's existing social position Strutt, Elizabeth. The Feminine Soul. J. S. Hodson. 1 |
Intertextuality and Influence | Margaret Kennedy | Of MK
's sixteen novels, Together and Apart is the one most firmly set in the novelist's own time period. The female protagonist, Betsy Canning, like Agatha of The Ladies of Lyndon, feels her... |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Sara Coleridge | Father, no amaranths e'er shall wreathe my brow.— Enough that round thy grave they flourish now:— . . . . Ne'er was it mine t'unlock rich founts of song, As thine it was ere Time... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company. 13 |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Lydia Howard Sigourney | Unlike a volume by the same title which she published in 1827, this one included new poetry as well as former contributions to magazines. Her preface mentions the influence exercised over her by Coleridge
... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus. 4 |
Intertextuality and Influence | Dorothy Wordsworth | DW
's Alfoxden journal, written in close association with both William Wordsworth
and Coleridge
, filtered into the poetry of each. Her phrases surface in The Ancient Mariner (whose restless gossamers come from her restless... |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | Anna Jane Vardill | AJV
is remarkably successful in catching Coleridge
's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister... |
Intertextuality and Influence | F. Mabel Robinson | The title-page bears a quotation from Samuel Taylor Coleridge
's Love about a fiend with the appearance of an angel beautiful and bright. Robinson, F. Mabel. The Plan of Campaign. Methuen. title-page |
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