Allibone, S. Austin, editor. A Critical Dictionary of English Literature and British and American Authors Living and Deceased. Gale Research.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Sara Coleridge | This work was seen as an early indication of SC
's talents and promise. In the year of its publication her father
said My dear daughter's translation of this book is . . . unsurpassed. |
| Literary responses | Ann Radcliffe | AR
's rival M. G. Lewis
finished reading Udolpho within ten days of its publication, though he had during the same time travelled from England to the Hague. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 93 |
| Literary responses | Mary Robinson | Coleridge
thought the poem anticlimactic, but exclaimed, but the Metre—ay! that Woman has an Ear! Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol. 9 , No. 1, pp. 9-22. 16 |
| Literary responses | Anna Maria Bennett | Mary Russell Mitford
read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural... |
| Literary responses | Mary Matilda Betham | Samuel Taylor Coleridge
wrote To Matilda Betham
from a Stranger (later published privately), wishing that she might be as impassioned as Sappho
—but holier and happier. Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books. 202 |
| Literary responses | Anna Brownell Jameson | Characteristics of Women was well received as a work of Shakespeare
criticism: reviewers and literary critics placed it alongside the work of Hazlitt
, Coleridge
, and Schlegel
. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, pp. 41-57. 41 |
| Literary responses | Mary Matilda Betham | MMB
said that this book received flattering praises in reviews. Betham, Mary Matilda. “Preface”. Crow-Quill Flights. 7 |
| Literary responses | Harriet Martineau | The Illustrations catapulted HM
into fame: she was lionized by London society. She received flattering responses from Coleridge
and from her precursor as a political economist, Jane Marcet
. Chapman, Maria Weston, and Harriet Martineau. “Memorials of Harriet Martineau”. Harriet Martineau’s Autobiography, James R. Osgood, pp. 2: 131 - 596. 212, 214 |
| Literary responses | Mary Robinson | On her deathbed MR
regretted that most of her works had been composed in too much haste, Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen. 151 |
| Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
| Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
| Literary responses | Mary Collyer | This was not to the Critical's taste. It had already this year declared its dislike of German poetry, and slammed Mary Scott
's Messiah. Critical Review. W. Simpkin and R. Marshall. 16 (1763): 393-4 |
| Literary responses | Dora Sigerson | The reviewer drew parallels between DS
's naïveté and that of Coleridge
. Sigerson, Dora, and Katharine Tynan. The Sad Years. Constable. end-pages |
| Literary responses | Harriet Hamilton King | The reviewer for the Academy compared the Ballad of the Midnight Sun to Samuel Taylor Coleridge
's Christabel and spoke highly of many of the other poems. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research. 199: 201 |
| Literary responses | Mary Hays | This time most reviews were respectful: the Analytical of course, the Monthly (in which William Taylor
noted that the novel was a cut above the common run, with serious and unusual moral teaching to impart)... |
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