Hannah More

-
Standard Name: More, Hannah
Birth Name: Hannah More
Nickname: Nine
Pseudonym: A Young Lady
Pseudonym: The Author of Percy
Pseudonym: H. M.
Pseudonym: Will Chip, a Carpenter
During her long and phenomenally productive career HM wrote plays, poems, a single novel and much social, religious, and political commentary. She was the leading conservative and Christian moralist of her day. Her political opinions were reactionary, and her passionate commitment to educating the poor and lessening their destitution has been judged as marred by its paternalist tone. But she was a pioneer educator and philanthropist, with enormous influence on the Victorian age.
Orlando gratefully acknowledges help with this document from Mary Waldron. Any flaws or errors are, of course, not hers.
Photograph of a painting of Hannah More by Henry William Pickersgill, 1822. She is seated on a red-upholstered chair beside a little table draped in red fabric and bearing a quill pen, inkwell, and piece of paper. She wears a blue-green mantle with V neck and creamy fabric at the cuffs and neckline, finished with a ruff around her neck. She has a gold shawl and a cap topped with pale blue ribbons. More wrote that she was "condemned, sorely against her will," to sit for this portrait. The version here, in th
Print of Barley Wood, Hannah More's home for almost thirty years. The print's grey tones depict a wooded countryside with some of Barley Wood's twenty acres. One of two female figures in the mid-ground is pointing towards the house.

Connections

Connections Author name Excerpt
Textual Features Elizabeth Ogilvy Benger
EOB writes in terms of a women's tradition: for instance, she praises Barbauld for praising Elizabeth Rowe . She makes confident judgements and attributions (she is sure that Lady Pakington is the real author of...
Textual Features Millicent Garrett Fawcett
Her authors run from Jane Austen and some contemporaries to Elizabeth Barrett Browning and Harriet Martineau . Elizabeth Fry , Mary Carpenter , and Florence Nightingale represent philanthropy, Caroline Herschel and Mary Somerville science, and...
Textual Features Priscilla Wakefield
PW welcomes the way that Adam Smith and other Scottish Enlightenment writers have made womanhood a branch of philosophy, not a little interesting.
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
106
Unlike Wollstonecraft , she sees women's sphere as naturally limited and...
Textual Features Lucy Aikin
Though most of her anthologized writers are men, LA includes Hannah More , Anna Letitia Barbauld , and Lady Luxborough . Perhaps recalling her own childhood activism, she included anti-slavery poems.
Textual Features Caroline Norton
CN pointed out that in France, land of history's best-known revolution, hundreds of thousands of people were at this moment starving. Her arguments sound like an echo of those of Hannah More .
Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby.
224 and n9
Textual Features Susanna Watts
The many pictures in the volume include diagrams of the hold of a slave ship, I & Dash my Dog (a sketch), and prints of Hester Mulso Chapone , Lady Rachel Russell (with a copy...
Textual Features Elizabeth Graeme Ferguson
This collection of personal writing includes occasional poems, pastorals, burlesques, ambitious longer pieces, and The Choice of Life (which precedes Johnson 's Rasselas). Notes and an index which she later supplied to this volume...
Residence Susannah Gunning
Hannah More was a near neighbour; though it is not known that they made contact. Langford Court was later occupied by More's good friends the Addington family.
Reception Elizabeth Sophia Tomlins
Reviews of this volume were somewhat lukewarm.
Tomlins, Elizabeth Sophia. “Introduction”. The Victim of Fancy, edited by Daniel Cook, Pickering and Chatto, p. xi - xxxi.
xi
Hannah More briefly summarizes the story of Quashi in a note to her Slavery: A Poem, 1788 (without mentioning his love for the white Matilda). James G. Basker
Reception Mary Whateley Darwall
In April 1774 (ten years on from her first volume but long before her second) the Monthly Review (in a notice of Hannah More 's The Inflexible Captive) listed MWD as one of the...
Reception Marion Reid
Scholar Margaret McFadden notes that this work was tremendously successful, particularly in the United States, where it went through five editions between 1847 and 1852. The 1847 edition and all ensuing versions were printed...
Reception Jane Taylor
Like her sister many years later, she replied robustly to complaint about her overtly Dissenting code of conduct. She reveals a clear sense of the disparity between standards applied to hegemonic beliefs and those applied...
Publishing Amelia Bristow
A list of about 210 subscribers is given in the volume. They included Hannah More and Jane and Anna Maria Porter . A sixth edition appeared in 1847.
Loeber, Rolf, and Magda Loeber. A Guide to Irish Fiction 1650-1900. Four Courts.
180
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 660
The full title is...
Publishing Hannah Kilham
At twelve pages, they sold for a penny, or for seven shillings the hundred (to those who intended to distribute them among the poor, as had been done with Hannah More 's Cheap Repository Tracts).
Dickson, Mora. The Powerful Bond: Hannah Kilham 1774-1832. Dobson.
88
Publishing Anne Francis
A political poem by AF appeared at Norwich in the form of a broadside: A Plain Address to my Neighbours, on the model of Hannah More .
Jackson, James Robert de Jager. Romantic Poetry by Women: A Bibliography, 1770-1835. Clarendon Press.
129

Timeline

No timeline events available.

Texts

No bibliographical results available.