Thirkell, Angela. The Fortunes of Harriette. Hamish Hamilton.
218
Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Literary responses | Amelia Opie | This novel was an instantaneous success. Of the second edition the Critical Review (of May 1802) wrote: Seldom have we met with any combination of incidents, real or imaginary, which possessed more of the deeply... |
| Literary responses | Harriette Wilson | Contemporary admirers of HW
on literary grounds included Walter Scott
, who praised her dialogue and intelligence, and thought her out and out |
| Literary responses | Mary Matilda Betham | Charles Lamb
pronounced MMB
's poem (before publication) to be very delicately pretty as to sentiment, Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Betham, Ernest, editor. A House of Letters. Jarrold and Sons. 156 |
| Literary responses | Lady Charlotte Bury | Assessments of LCB
's work during her lifetime varied wildly. Sir Walter Scott
quoted her in print; Sydney Morgan
respected her work; but to most people her social identity eclipsed her literary one. Her early... |
| Literary responses | Joanna Baillie | The Eclectic Magazine raised her confidence about her Scots songs by pronouncing that she was easily the equal in the genre of Scott
or Campbell
, and inferior only to Burns
himself. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 13 |
| Literary responses | Anne Marsh | Chorley
's Athenæum review is remarkable for two things: for the vehemence with which he praised the novel's plotting and the climactic scene of preparations for the wedding (which he quoted at length, only regretting... |
| Literary responses | Sydney Owenson, Lady Morgan | The review in the Critical made nostalgic reference to pleasure in Morgan's The Wild Irish Girl, and continued: As a national writer, we cannot too much admire her sentiments; and, as a descriptive writer... |
| Literary responses | Ann Taylor Gilbert | T he Critical, warming to the Taylors' work, said the authors of this little book had a better claim to the name of poet than many of higher pretensions. Critical Review. W. Simpkin and R. Marshall. 3d ser. 8 (1806) : 440 |
| Literary responses | Joanna Baillie | The Critical Review assumed the author was male. It thought the versification monotonous but warmly praised both preface and plays. Critical Review. W. Simpkin and R. Marshall. 24 (1798): 1-22 |
| Literary responses | Anna Seward | The Horatian odes received in London literary circles such warm approbation that the poet could not listen with undelighted ears. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 145 |
| Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
| Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , pp. 57-88. 65-6 |
| Literary responses | Margaret Holford | She was very disappointed when Scott never acknowledged this tribute. After Wallace appeared, Joanna Baillie
wrote to him reminding him of this lapse in manners and implicitly that it was his own fault that Wallace... |
| Literary responses | Anna Steele | In a lengthy review the Times noted that while Gardenhurst had many faults typical of first novels (citing other examples from Sir Walter Scott
, George Eliot
, and Charles Dickens
), it nonetheless has... |
| Literary responses | Alison Cockburn | Burns
reflected the influence of Cockburn's I've seen the smiling of Fortune beguiling in one of his earliest compositions, I dream'd I lay where flowers were springing (first published in 1788). Fordonski, Krzysztof. “Robert Burns and Maciej Kazimierz Sarbiewski: A Translatological Investigation into the Mystery of ’I dream’d I lay’”. Scottish Literary Review, Vol. 5 , No. 1, pp. 13-29. 16, 26 |
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