Samuel Johnson
-
Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Ellis Cornelia Knight | ECK
published her first work, Dinarbas, a novel which acts as a continuation of Samuel Johnson
's Rasselas. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Kolb, Gwin J. “Forward”. Dinarbas, Colleagues Press, 1993. vii “Review of Dinarbas by Ellis Cornelia Knight”. The Analytical Review, Vol. 7 , J. Johnson, June 1790, pp. 189-91. 189 |
Textual Production | Harriet Corp | She quoted Johnson
on her title-page (on the value and usefulness of familiar histories), and acknowledged her sex in the preface. The book is now rare in both its first edition and the second (published... |
Textual Production | Jan Morris | More than a decade later, in 1978, JM
followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less... |
Textual Production | Charlotte Lennox | She had written most of it by November 1751. With Johnson
as mediator, she consulted Richardson
about revisions, denouement, optimum length (she reduced her plan from three volumes to two), and about her choice of... |
Textual Production | Marguerite Gardiner Countess of Blessington | Marguerite Blessington
issued The Memoirs of a Femme de Chambre. A Novel. This bears no relation to Susanna Haswell Rowson
's Rebecca; or, The Fille de Chambre, 1792. It sounds, however, like a... |
Textual Production | Jane Marcet | The full title is Conversations on the Evidences of Christianity, in which the Leading Arguments of the Best Author are Arranged, Developed, and Connected with Each Other. For the Use of Young Persons and Theological... |
Textual Production | Hester Mulso Chapone | Hester Mulso (later HMC
) contributed four brief letters from imaginary, high-society correspondents to the tenth number of Samuel Johnson
's Rambler. Johnson, Samuel. The Rambler. Editors Bate, Walter Jackson and Albrecht B. Strauss, Yale, Yale University Press, 1969, 3 vols. 1: 51-4 |
Textual Production | Ann Hatton | The dedication, to Mrs Carsgill
of Holme Lodge, Northumberland, mentions past discussions with her on the topic of the passions, and cites Johnson
's Life of Savage to prove their violence. Hatton, Ann. Deeds of the Olden Time. A. K. Newman, 1826. prelims |
Textual Features | Georgina Munro | A debauched earl is the narrator of this novel, which, typically for the genre, is peopled by characters from the gentry and the upper classes. Athenæum. J. Lection. 744 (1842):110 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Features | Susanna Watts | SW
takes steps to prevent the cause of slavery entirely dominating her work, which, she announces, it will be devoted to the cause of suffering animals as well as to that of suffering men. Watts, Susanna. The Humming Bird. I. Cockshaw, 1-2. 34 |
Textual Features | Anna Letitia Barbauld | Here ALB
achieves a note of near-tragic dignity in face of political defeat—a note reminiscent of the weight and complexity of Johnson
's satires or of the recognition of defeat in her own Corsica. |
Textual Features | Anita Desai | In The Indian Writer's Problems (which appeared in Quest in 1970 and in the Literary Criterion in 1975, and was reprinted in Perspectives on Anita Desai), she remarks that English is the language that... |
Textual Features | Elizabeth Strutt | The book had coloured illustrations. ES
adopts here a relaxed, informal tone. She pays more attention than formerly to scenery (though she insists that only truly personal responses are interesting), but also to the humdrum... |
Textual Features | Sarah Scott | The Introductory History of Sweden, from The Middle of the Twelfth Century is in effect an essay on biography and historiography. It argues the importance of biography, and the influence which even minor figures exercise... |
Textual Features | Mary Wollstonecraft | Though only about twenty percent of its extracts are written by women (the same proportion as from the Bible), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 501 |
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