Quarterly Review. J. Murray.
Quarterly 35 (1927): 317
Connections Sort ascending | Author name | Excerpt |
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Theme or Topic Treated in Text | Mary Augusta Ward | Lady Caroline's (here Kitty Ashe's) obsession, Byron
, is thinly disguised as the poet Geoffrey Cliffe. Despite it inspiration in this nearly one-hundred-old relationship, the novel's setting is contemporary and Kitty is a fast cigarette-smoking... |
Textual Production | Mary Russell Mitford | MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari. Quarterly Review. J. Murray. Quarterly 35 (1927): 317 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Conversations of Lord Byron
with the Countess of Blessington appeared in volume form. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 3 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 149 |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Harriet Smythies | She quoted Byron
and the Greek historian Thucydides
on her title-page, and dedicated the poem to the Spirit of 'The Times'—that is, the newspaper. A letter to the editor of the Times... |
Textual Production | Elizabeth Thomas | With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas
entered the controversy swirling around Byron
, again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 421 |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Textual Production | Medora Gordon Byron | Miss Byron, author of the English-woman (who was much later labelled as MGB
), published a second novel, Hours of Affluence, and Days of Indigence. The title might bear some allusion to Byron
's... |
Textual Production | Marguerite Gardiner, Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Caroline Norton | CN
published The Undying One, and Other Poems, with epigraphs taken from Byron
(again, this time from Childe Harold) and La Fontaine
. Athenæum. J. Lection. 137 (1830): 353 |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter. title-page |
Textual Production | Elizabeth Thomas | She wrote this novel, she said, because she admired Byron
's poem Childe Harold, but thought it wanted a finish. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 7 |
No bibliographical results available.