Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114.
46-7
Connections Sort ascending | Author name | Excerpt |
---|---|---|
names | Medora Gordon Byron | At the date of the first Miss Byron novel, Elizabeth Strutt
was publishing as Mrs Byron while the poet George Gordon, Lord Byron
, had had only a single juvenile collection reviewed. While the name... |
Material Conditions of Writing | Lady Caroline Lamb | According to her own account, LCL
wrote her notorious novel Glenarvon and sent it to press within one month, while articles of separation were being drawn up by her husband following her act of violence... |
Material Conditions of Writing | Marguerite Gardiner, Countess of Blessington | MB wrote occasional verse from her youth. She and Byron
exchanged poems at Genoa in May 1823. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 46-7 |
Material Conditions of Writing | Angela Thirkell | She began working on this a little before her collection of children's stories. She was at first intimidated by the idea of doing historical, archival research. Her publisher, Hamilton
, encouraged her, and when she... |
Material Conditions of Writing | Mary Shelley | |
Material Conditions of Writing | Lady Caroline Lamb | Just after Byron
's death, LCL
confirmed Isaac Nathan
's exclusive right to set her songs to music. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 8 |
Literary Setting | Emma Tennant | |
Literary responses | Elizabeth Barrett Browning | In September 1847, critic George Gilfillan
followed his treatment of the still very popular and critically distinguished Felicia Hemans
in his series on Female Authors in Tait's Edinburgh Magazine with a piece on EBB
... |
Literary responses | Margaret Holford | Mary Russell Mitford
called this novel an attempt to portray the poet Byron
, recognisable through several anecdotes familiarly told about him, in very black and exaggerated colors. She maintained that Joanna Baillie
, as... |
Literary responses | Ann Hawkshaw | In a review for the Athenæum, George Walter Thornbury
stated abruptly that AH
's collection has at least two merits,—it has no Preface and it has a purpose. Finding that the sonnets do not... |
Literary responses | Laurence Hope | The Garden of Káma proved extremely popular, and was reissued in each of the next fourteen years under various combinations of the two titles (with later editions tending to lose the accent in Káma)... |
Literary responses | Lady Caroline Lamb | When Glenarvon first appeared, said Lady Caroline, William Lamb
admired it so much that it was instrumental in bringing the separated couple back together. Sydney Owenson, Lady Morgan,. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press. 2: 202 |
Literary responses | Caroline Norton | The Athenæum pronounced in fairly sympathetic tones that this volume bore a pathetic and direct reference upon the position and fortunes of its writer, alluding to the bereavements enforced by inexorable laws that denied Norton... |
Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , pp. 57-88. 65-6 |
Literary responses | Frances Browne | George Croly
in the Dublin Review also focused on FB
's blindness rather than on her writing. He reprinted the book's preface almost in its entirety as one of several other case studies on the... |
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