Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington.
The Season: A Cycle of Verse
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Barrett Browning | Byron
and Wordsworth
were important poetic influences. Books that Elizabeth Barrett owned and kept until her death included Philip James Bailey
's Festus, A Poem, a major text of the spasmodic school, L. E. L. |
Intertextuality and Influence | Hélène Gingold | She said that some of the poems contained in this volume were written before the age of fifteen. Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. The Season: A Cycle of Verse Gingold, Hélène. “Some Press Opinions”. Seven Stories, Remington. New York Herald: A Cycle of Verse |
Intertextuality and Influence | Ann Radcliffe | AR
's rival M. G. Lewis
finished reading Udolpho within ten days of its publication, though he had during the same time travelled from England to the Hague. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 93 |
Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
Intertextuality and Influence | Lady Caroline Lamb | The printed selection begins with girlhood letters to Georgiana, Duchess of Devonshire
's elder daughter. It goes on to include correspondence with friends and publishers, analyses of feelings and comments on the experience of pregnancy... |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | B. M. Croker | The title-page quotes Byron
on the power of Fate. The heroine is not always pretty, nor is she always Miss Neville. The book opens in the voice of eleven-year-old Nora O'Neill, known as Miggs, generally... |
Literary responses | Elizabeth Barrett Browning | In September 1847, critic George Gilfillan
followed his treatment of the still very popular and critically distinguished Felicia Hemans
in his series on Female Authors in Tait's Edinburgh Magazine with a piece on EBB
... |
Literary responses | Margaret Holford | Mary Russell Mitford
called this novel an attempt to portray the poet Byron
, recognisable through several anecdotes familiarly told about him, in very black and exaggerated colors. She maintained that Joanna Baillie
, as... |
Literary responses | Ann Hawkshaw | In a review for the Athenæum, George Walter Thornbury
stated abruptly that AH
's collection has at least two merits,—it has no Preface and it has a purpose. Finding that the sonnets do not... |
Literary responses | Laurence Hope | The Garden of Káma proved extremely popular, and was reissued in each of the next fourteen years under various combinations of the two titles (with later editions tending to lose the accent in Káma)... |
Literary responses | Lady Caroline Lamb | When Glenarvon first appeared, said Lady Caroline, William Lamb
admired it so much that it was instrumental in bringing the separated couple back together. Sydney Owenson, Lady Morgan,. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press. 2: 202 |
Literary responses | Ella Wheeler Wilcox | The Athenæum carried a signed review for this book by Virginia Woolf
, who went straight to the heart of the matter. It would be easy to make fun of her; equally easy to condescend... |
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