Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891.
13
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
Intertextuality and Influence | Ann Radcliffe | AR
's rival M. G. Lewis
finished reading Udolpho within ten days of its publication, though he had during the same time travelled from England to the Hague. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 93 |
Intertextuality and Influence | Maria Callcott | MC
's title-page quotes Byron
and her preface declares her subject to be the independence struggle of the patriots of the New World. Callcott, Maria. Journal of a Voyage to Brazil. Longman, Hurst, Rees, Orme, Brown, and Green, 1824. prelims |
Intertextuality and Influence | Felicia Hemans | She particularly admired Joanna Baillie
's Ethwald and the Chronicles of Froissart
. Germaine de Staël
's Corinne was another major influence on her. She wrote years later: That book, in particular towards its close... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Intertextuality and Influence | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827. iii |
Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Intertextuality and Influence | Ruby M. Ayres | Love Without Wings takes its epigraph from Byron
, though RMA
writes, Friendship is love, without wings. Ayres, Ruby M. Love Without Wings. Hodder and Stoughton, 1953. title-page |
Literary responses | Kate O'Brien | It was widely and enthusiastically reviewed. Biographer Lorna Reynolds
says KOB
, like Byron
, awoke one day to find herself famous. Reynolds, Lorna. Kate O’Brien: A Literary Portrait. Colin Smythe; Barnes and Noble, 1987. 39 |
Literary responses | Maria Callcott | Her adult poetry (still in manuscript) was regarded by her editor of 1975 as conventional, sapless, and over-influenced by the early Byron
. Lawrence, C. E., and Maria Callcott. “Lady Callcott and Her Book”. Little Arthur’s History of England, Century Edition, J. Murray, 1936, p. xiii - xx. xvii |
Literary responses | Felicia Hemans | Byron
considered this poem inadequate as a result of FH
's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his. Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, 1999, p. xi - xxxiii. xvi Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Frances Browne | George Croly
in the Dublin Review also focused on FB
's blindness rather than on her writing. He reprinted the book's preface almost in its entirety as one of several other case studies on the... |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
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