T. S. Eliot

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Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE , an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.

Connections

Connections Sort ascending Author name Excerpt
Textual Features Anne Ridler
Her introduction to the first selection, she said later, was more influenced by Coleridge than by Charles Williams .
Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
96
It was an important feature of the volume, ranging itself alongside such prestigious Shakespeare critics...
Textual Features Carol Ann Duffy
Critic Deryn Rees-Jones discerns widely varied influences on CAD 's work: mainstream English poets like Wordsworth , Robert Browning , T. S. Eliot , Auden , Dylan Thomas , Larkin , and Ted Hughes ...
Textual Features H. D.
This is war poetry which looks at the home front, like T. S. Eliot 's Four Quartets and Ezra Pound 's Pisan Cantos. It has been classified as epic.
Friedman, Susan Stanford. “’Remembering Shakespeare Always, But Remembering Him Differently’: H.D.’s By Avon River”. Sagetrieb, Vol.
2
, No. 2, pp. 45-70.
45
London under the bombing...
Textual Features Philip Larkin
His selection was resolutely unfashionable, favouring Hardy and Betjeman at the expense of Eliot and Pound . He was, however, remarkably generous in his selection of women poets (often for just one or two poems...
Textual Features Seamus Heaney
Setting out to enable his readers to witness the spectacle of a gifted writer becoming a definitive one, he begins by considering poetic theories of sound and meaning held by Frost , Eliot , and...
Textual Features Dora Marsden
Marsden was neither unaware nor entirely appreciative of Pound's intellectual programme or his professional ethics. She told Weaver in a letter of November 1913 (after the journal had again been relaunched with a new name)...
Textual Features Christine Brooke-Rose
A study of the ways in which metaphor functions grammatically, this text analyses a range of works by writers including Chaucer , Donne , Yeats , and Eliot : all but Chaucer were added since...
Textual Features Rebecca West
In the letters West describes her own writing in contradistinction to that of high modernists. She told the editor of the Times Literary Supplement, Arthur Crook , in a letter of 24 December 1973:...
Textual Features W. H. Auden
It is no wonder than that Auden is an entertaining critic, with a penchant for the gnomic whether in titles (his essay on detective stories is called The Guilty Vicarage; his essay on Kafka
Residence Violet Trefusis
Alice Keppel financed her daughter VT 's move to the Manor House at West Coker in Somerset.
Violet visited at Coker Court in East Coker (a village made famous in literature by T. S. Eliot
Reception Sylvia Beach
Le Mercure de France published its homage to SB , with essays and poems by T. S. Eliot , Janet Flanner , André Gide , James Joyce , Gertrude Stein and others.
Mathews, Jackson, and Maurice Saillet. Sylvia Beach 1887-1962. Mercure de France.
cover and prelims
Reception Muriel Spark
Spark was horrified when Derek Stanford , her former friend and collaborator, published a book about her in September 1963: Muriel Spark, a Biographical and Critical Study, which she later called packed with factual...
Reception Anne Ridler
AR later wrote that Who is My Neighbour? was of course derivative from Eliot .
Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
196
Reception Nancy Cunard
The reviews for this book were mixed. Amabel Williams-Ellis said in The Spectator that the poems showed a permeating sense of effort not to be young lady-ish.
Chisholm, Anne. Nancy Cunard. Knopf.
95
F. R. Leavis dismissed Parallaxas simple...
Publishing Stella Gibbons
SG 's poem The Giraffes appeared in the Criterion, the literary magazine founded and edited by T. S. Eliot .
Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury.
50

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