King George III

Standard Name: George III, King
Used Form: Prince of Wales
Used Form: George the Third
Used Form: Prince George

Connections

Connections Sort descending Author name Excerpt
Textual Production Mary Latter
While staying with John Rich in London (for the second time) in 1761, ML not only studied stagecraft to benefit her own writing, but was kept busy doing writing jobs he suggested. Aware of her...
Textual Production Mary Harcourt
The Philobiblon Society published just under sixty pages of MH 's Mrs. Harcourt's Diary of the Court of George III as item six in volume 13 of Miscellanies of the Philobiblon Society, probably edited...
Textual Production Elizabeth Cobbold
The frontispiece features a portrait of the cookery writer Hannah Glasse (drawn by EC herself), who is heroicised in the text. This poem answers The Sovereign, a poem by Charles Small Pybus , addressed...
Textual Production Mary Collier
MC , aged seventy-one, wrote the last datable poem in her volume Poems, on Several Occasions: On the Marriage of George the Third.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
under George III
Textual Production Sarah Gardner
SG wrote a poem entitled On the American Disturbance . . . To the King, which she preserved in her manuscript album: the earliest dated among her writings.
Grundy, Isobel. “Sarah Gardner: "Such Trumpery" or ‘A Lustre to Her Sex’?”. Tulsa Studies in Women’s Literature, Vol.
7
, pp. 7-25.
16
Textual Production Adelaide O'Keeffe
The dedication imagines writers aspiring to the honour of influencing the baby Charlotte: I taught the maid! cries each exulting Muse.
O’Keeffe, Adelaide. Llewellin. Cawthorn.
prelims
It praises the royal family indiscriminately: the present king and queen , and...
Textual Production Jean Plaidy
The first-named is George I 's rejected queen (accused of adultery and imprisoned for life before her husband came to the English throne, while her alleged lover was assassinated). The protagonist of the second novel...
Textual Production Anne Damer
AD 's activity as a sculptor dates mostly from after 1777. Her best-known works include the keystones of the bridge at Henley, carved to represent the rivers Thames and Isis: completed in 1785, they...
Textual Production Ann Yearsley
Bristol Public Library 's copy of AY 's Poems, on Several Occasions, first edition, incorporates a dozen manuscript poems, including To The King : On His Majesty's arrival at Cheltenham 1788.
Ferguson, Moira. “The Unpublished Poems of Ann Yearsley”. Tulsa Studies in Women’s Literature, Vol.
12
, No. 1, pp. 13-46.
13-14
Textual Production Lucille Iremonger
LI published two biographies of English princesses: of Princess Sophia , daughter of George III (who bore a child to an unidentified father), in 1958, and of Queen Victoria 's daughters in 1982. In 1981...
Theme or Topic Treated in Text Maria De Fleury
Her poem is Miltonic in style, with frequent echoes of Paradise Lost, although written in couplets. Accepting a designation applied to her by ideological enemies, MDF opens by comparing herself to the biblical Deborah...
Theme or Topic Treated in Text Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Theme or Topic Treated in Text Ann Jebb
She felt with the Foxite Whigs that the king was guilty of folly, mismanagement, and Stuart-like behaviour, and was interfering unwarrantably with the processes of government.
Meadley, George William. “Memoir of Mrs. Jebb”. The Monthly Repository, Vol.
7
, pp. 597 - 604, 661.
601
Theme or Topic Treated in Text Anna Letitia Barbauld
ALB produces for this much-lamented occasion a simple, dignified poem: perceptive about the workings of public feeling, and remarkable for its reminder that a tear should be spared for the mad grandfather George III ...
Theme or Topic Treated in Text Mary Latter
The poem is in octosyllabics (or, considering the many feminine endings, in the hudibrastics of Samuel Butler ). After an opening address to the conventionally starving and scruffy nameless Grubstreet Muses!,
Latter, Mary. Liberty and Interest. James Fletcher.
1
it proceeds...

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