Ford, Hugh, editor. Nancy Cunard: Brave Poet, Indomitable Rebel 1896-1965. Chilton Book Company, 1968.
69
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Nancy Cunard | Her purpose in founding the press was to publish mainly contemporary poetry of an experimental kind. Virginia Woolf
warned her that Your hands will always be covered with ink, Ford, Hugh, editor. Nancy Cunard: Brave Poet, Indomitable Rebel 1896-1965. Chilton Book Company, 1968. 69 |
Performance of text | John Oliver Hobbes | In the same year JOH
and Moore
also collaborated on the one-act comedy Journeys End in Lovers' Meeting (titled from Shakespeare
), which was performed in June 1895 (according to her father's memoir) Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray, 1911. 23 |
Publishing | Violet Fane | Despite fears that he might call her bad names Fane, Violet. “Concerning Some of the ’Enfants Trouvés’ of Literature”. Nineteenth Century, July 1904, pp. 126-41. 139 |
Publishing | Nancy Cunard | NC
's GM: Memories of George Moore was published with illustrations. Chisholm, Anne. Nancy Cunard. Knopf, 1979. 302-3, 304 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | John Oliver Hobbes | JOH
and Moore
later quarrelled over contracts relating to their collaborations. Maison mentions one such argument in 1905, and Hobbes refers to an extraordinary scene qtd. in Maison, Margaret. John Oliver Hobbes. Eighteen Nineties Society, 1976. 64 |
Reception | Martin Ross | The formal dinner, with speeches, was attended by the Lord Lieutenant of Ireland, the twelve Irish women writers, and two hundred guests. Next day Somerville and Ross saw their photographs in the Irish Times and... |
Reception | Anne Brontë | AB
's work has from the outset been overshadowed by that of Emily and Charlotte. George Moore
called her a literary Cinderella, qtd. in Langland, Elizabeth. Anne Brontë: The Other One. Barnes and Noble, 1989. 29 |
Textual Features | George Orwell | This is one of the several pieces in which Orwell champions the middlebrow or non-art writing. His supreme example Orwell, George. The Penguin Essays of George Orwell. Penguin in association with Secker and Warburg, 1984. 326 |
Textual Production | Ella Hepworth Dixon | Alfred Gibbons
, EHD
's editor at Lady's Pictorial, commissioned her and George Moore
to collaborate on a novel, but she was ill and instead went to the Riviera to recuperate. The novel was never written. Dixon, Ella Hepworth. "As I Knew Them". Huchinson, 1930. 162 |
Textual Production | Sheila Kaye-Smith | SKS
published another Sussex novel to a scheme suggested by Walter Lionel George
, the choice of a woman instead of a man as protagonist: Joanna Godden. At this point biographer Dorothea Walker
attaches... |
Textual Production | George Egerton | One year after this The Yellow Book published a portrait of GE
by E. A. Walton
. Meanwhile the literary contributors to the first issue of the magazine included Henry James
, Max Beerbohm
,... |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Viola Meynell | VM
published Lot Barrow, a naturalistnovel in the tradition of George Moore
and Émile Zola
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002. 100, 105 |
Textual Production | Helen Waddell | |
Textual Production | Katharine Tynan | These four volumes were billed as a new edition. It bore her name, giving her credit for revising and greatly extending their contents, while the names of Charles Read
and T. P. O'Connor
remained as... |
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