George Augustus Moore

Standard Name: Moore, George Augustus
Used Form: George Moore

Connections

Connections Sort descending Author name Excerpt
Occupation Nancy Cunard
Her purpose in founding the press was to publish mainly contemporary poetry of an experimental kind. Virginia Woolf warned her that Your hands will always be covered with ink,
Ford, Hugh, editor. Nancy Cunard: Brave Poet, Indomitable Rebel 1896-1965. Chilton Book Company, 1968.
69
but the Hours Press became...
Performance of text John Oliver Hobbes
In the same year JOH and Moore also collaborated on the one-act comedy Journeys End in Lovers' Meeting (titled from Shakespeare ), which was performed in June 1895 (according to her father's memoir)
Richards, John Morgan, and John Oliver Hobbes. “Pearl Richards Craigie: Biographical Sketch by her Father”. The Life of John Oliver Hobbes, J. Murray, 1911.
23
at...
Publishing Violet Fane
Despite fears that he might call her bad names
Fane, Violet. “Concerning Some of the ’Enfants Trouvés’ of Literature”. Nineteenth Century, July 1904, pp. 126-41.
139
or pronounce her to be an awful cook, she finishes with a stab at George Moore for his disparaging comments on women writers. She gives...
Publishing Nancy Cunard
NC 's GM: Memories of George Moore was published with illustrations.
Chisholm, Anne. Nancy Cunard. Knopf, 1979.
302-3, 304
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing John Oliver Hobbes
JOH and Moore later quarrelled over contracts relating to their collaborations. Maison mentions one such argument in 1905, and Hobbes refers to an extraordinary scene
qtd. in
Maison, Margaret. John Oliver Hobbes. Eighteen Nineties Society, 1976.
64
between her and Moore at Unwin's offices the following...
Reception Martin Ross
The formal dinner, with speeches, was attended by the Lord Lieutenant of Ireland, the twelve Irish women writers, and two hundred guests. Next day Somerville and Ross saw their photographs in the Irish Times and...
Reception Anne Brontë
AB 's work has from the outset been overshadowed by that of Emily and Charlotte. George Moore called her a literary Cinderella,
qtd. in
Langland, Elizabeth. Anne Brontë: The Other One. Barnes and Noble, 1989.
29
sacrificed because no one would believe that three literary geniuses could...
Textual Features George Orwell
This is one of the several pieces in which Orwell champions the middlebrow or non-art writing. His supreme example
Orwell, George. The Penguin Essays of George Orwell. Penguin in association with Secker and Warburg, 1984.
326
of the kind of book that has no literary pretensions but which remains readable when...
Textual Production Ella Hepworth Dixon
Alfred Gibbons , EHD 's editor at Lady's Pictorial, commissioned her and George Moore to collaborate on a novel, but she was ill and instead went to the Riviera to recuperate. The novel was never written.
Dixon, Ella Hepworth. "As I Knew Them". Huchinson, 1930.
162
Textual Production Sheila Kaye-Smith
SKS published another Sussex novel to a scheme suggested by Walter Lionel George , the choice of a woman instead of a man as protagonist: Joanna Godden.
At this point biographer Dorothea Walker attaches...
Textual Production George Egerton
One year after this The Yellow Book published a portrait of GE by E. A. Walton . Meanwhile the literary contributors to the first issue of the magazine included Henry James , Max Beerbohm ,...
Textual Production Dorothy Richardson
In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich through Jane Austen , Emily and Charlotte Brontë , George Eliot
Textual Production Viola Meynell
VM published Lot Barrow, a naturalistnovel in the tradition of George Moore and Émile Zola .
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
153
MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002.
100, 105
Textual Production Helen Waddell
Abelard figured in her imagination as her ideal man, and on at least one occasion she dreamed that she herself was Heloise (as an abbess and an elderly woman after Abelard's death).
Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973.
57-8, 220
Æ
Textual Production Katharine Tynan
These four volumes were billed as a new edition. It bore her name, giving her credit for revising and greatly extending their contents, while the names of Charles Read and T. P. O'Connor remained as...

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