Reynolds, Sir Joshua. The Letters of Sir Joshua Reynolds. Editors Ingamells, John and John Edgcumbe, Yale University Press.
264
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Publishing | Anne Burke | A payment from the publisher of five guineas, with the same amount again to follow if the book earned it, made to Anne Ustick (or perhaps Urtick) suggests that this may have been AB |
politics | Mary Caesar | She acted on her Jacobite principles in attending parliamentary debates, reading the memoirs of statesmen, and visiting Tory detainees in prison. Indeed, though she never questioned that men were intended to manage public affairs, she... |
politics | Mary Caesar | From the time she began writing her Jacobite credo in 1724, MC
worked on constructing a domestic cult for the edification of family and friends in the Jacobite faith, in which archives, pictures and poetry... |
Occupation | Frances Reynolds | She was also already a painter on her own account. She had done a portrait of Joshua around 1746 (now in the Cottonian Collection in the city museum and art gallery of Plymouth) Reynolds, Sir Joshua. The Letters of Sir Joshua Reynolds. Editors Ingamells, John and John Edgcumbe, Yale University Press. 264 |
Occupation | Edmund Curll | Curll was apprenticed sometime around 1697 to 1699, and set up in business for himself by early 1706. Baines, Paul, and Pat Rogers. Edmund Curll, Bookseller. Clarendon Press. 12, 22 |
Occupation | Elizabeth Tollet | ET
's book ownership qualifies her as a collector in a way that few of her female contemporaries were, though since she left her collection to her scholarly nephew George it is hard to separate... |
Literary responses | Mary Caesar | She was just as insecure about her style and presentation in letters as in her journal, and elicited reassuring praise from Pope
, Prior, Swift
, Lord Orrery
, and Lord Lansdowne
. Rumbold, Valerie. “The Jacobite vision of Mary Caesar”. Women, Writing, History, 1640-1740, edited by Isobel Grundy and Susan Wiseman, Batsford, pp. 178-98. 181-2 |
Intertextuality and Influence | Lady Charlotte Bury | The title-page quotes supposedly from Pope
but actually from Prior
: Nor tears that wash out sin, can wash out shame. Bury, Lady Charlotte. The Divorced. Henry Colburn. title-page |
Intertextuality and Influence | Charlotte McCarthy | The poems include reworkings of pastoral, occasional poems (one of them inscribed in a volume belonging to a friend), and comment on public affairs. The opening three, addressed to Chloe, are conventional in tone... |
Intertextuality and Influence | Rosa Nouchette Carey | One of the many novels which RNC
chose to dignify by quotations to head her chapters, this seems to make a particular attempt to impress. Those quoted imply considerable learning, even if (as seems likely)... |
Intertextuality and Influence | Anna Seward | |
Intertextuality and Influence | Susan Smythies | The title-page bears a quotation from Prior
's verse romance Henry and Emma, but SS
lays explicit claim, too, to a canonical tradition of prose fiction. The book begins with a series of tales... |
Intertextuality and Influence | Mary Deverell | |
Intertextuality and Influence | Elizabeth Thomas | The quotations that head her chapters range through more than a dozen well-known male names from Shakespeare
through Racine
in French, Prior
and Pope
to Sterne
and Burke
, plus a couple of unidentified women.... |
Intertextuality and Influence | Elizabeth Elstob | Begun in order to help the work of a female student, this work reiterates more strongly EE
's plea for opening the arena of scholarship to women. For examples of poetic practice she turns to... |
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